Literature and the Holocaust have a complicated relationship. This isn't to say, of course, that the pairing isn't a fruitful one—the Holocaust has influenced, if not defined, nearly every Jewish writer since, from Saul Bellow to Jonathan Safran Foer, and many non-Jews besides, like W.G. Sebald and Jorge Semprun. Still, literature qua art—innately concerned with representation and appropriation—seemingly stands opposed to the immutability of the Holocaust and our oversized obligations to its memory. Good literature makes artistic demands, flexes and contorts narratives, resists limpid morality, compromises reality's details. Regarding the Holocaust, this seems unconscionable, even blasphemous. The horrors of Auschwitz and Buchenwald need no artistic amplification.
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A; Self discovery occurs in the presence of others.
Answer:
C
Explanation:
Serial arguing is when multiple arguments erupt over a period of time about the same issue. Here, Matt and Kim have multiple conflicts (several times) over a period of time (a week) about the same issue (dirty dishes being left in the sink).
Answer:
In the poem 'The Worm', the poet Thomas Gisborne brings out the emotions he has for the little worms. He says we should take care not to step on them and take away their lives. They may be tiny but are God's creations and no one has a right to take away another's life.
