Ok he wanted to convey that in deference is worse then hate and anger weisels speaks from he experience of the holocaust by his worth and suffering his consideration
Personally, number 3 because it sounds like it should have an exclamation mark.
<u>Fire in the novel Frankenstein by Mary Shelley:</u>
In the novel Frankenstein written by Mary Shelley, the scientist named Victor Frankenstein resurrects a dead body and bridges the space between life and death.
With the help of some stolen organs and assorted limbs of corpses he builds a lifeless body and brings the creature into life. Then the creature swears a revenge against Victor for bringing him into this cruel world.
Fire, the dual-edged sword of light provides warmth, light and protects from wild animals and in addition to that has many destructive effects.
The Greek god Prometheus bestowed the knowledge of fire upon humans and then as a result of this got punished. Likewise, Victor Frankenstein gets punished and his knowledge of secret of life remains a secret.
Answer:
The CEO did not inform the employees of the merger
Answer:
B. Because viewers do not doubt the reality of what they see on TV
Explanation:
Postman then cites French literary theorist Roland Barthes, arguing that “television has achieved the status of ‘myth’”. What does “myth” mean to Barthes? As Postman explains: “a myth is a way of thinking so deeply embedded in our consciousness that it is invisible”. Here we might pause and review our discussion on semiotics, recalling Levi-Strauss as well as de Saussure.
Myth is language. Images are a type of language. Consequently, when we see a representation of Rosie the Riveter, what comes to mind are a number of ideas, including everything from American determination as reflected by its citizens during World War II to the ideals and concepts espoused by feminist theory. If, as Postman states, television is myth, then what he is arguing for is the idea that television by its very nature and by what it is capable of conveys a complex series of ideas that is already deeply embedded within our subconscious. Or, as Postman more succinctly puts it: We rarely talk about television, only about what is on television—that is, about its content”.
