Answer:
B. In “A Thought . . .,” the speaker achieves contentment through steady contemplation, while in “Deliverance . . .,” the speaker achieves contentment through prayer and solitude.
Explanation:
Edgenuity
Literature and the Holocaust have a complicated relationship. This isn't to say, of course, that the pairing isn't a fruitful one—the Holocaust has influenced, if not defined, nearly every Jewish writer since, from Saul Bellow to Jonathan Safran Foer, and many non-Jews besides, like W.G. Sebald and Jorge Semprun. Still, literature qua art—innately concerned with representation and appropriation—seemingly stands opposed to the immutability of the Holocaust and our oversized obligations to its memory. Good literature makes artistic demands, flexes and contorts narratives, resists limpid morality, compromises reality's details. Regarding the Holocaust, this seems unconscionable, even blasphemous. The horrors of Auschwitz and Buchenwald need no artistic amplification.
Answer:
Intimidation.
Explanation:
They sing, dance, and chant to intimidate their opponants to show unity for their friends who are fighting. Sorta the same reason we have cheerleaders and pep rallies in high school
Answer:
idk how to answer this cuz I never read "Vincent in England" but I'm guessing D. or A.
