Answer:
To fully understand the subject and content of the art, one should look into the complex background of the piece – who is the artists, in what time and place was the art produced, what was the inspiration, what is the movement it belongs to, etc. Therefore, understanding of the art piece is problematic in the sense that it is complex and can’t be reduced to only the one artwork itself. One who accesses the art needs to always have the full information about its circumstances of making.
Explanation:
<u>The problem of understanding art and its purpose lies in the fact that</u><u> art is often complex</u><u> and to understand it </u><u>we must have a piece of background information about the artist, the time he belonged in, and the theme of the piece.</u>
<u>We need to read every art piece in the context of its own time and movement</u>. Understanding the theme of the impressionist piece is not the same as understanding the one on the cubist work. For example, we have to know that to look into impressionistic painting we have to move away, observe the movements of light and brush, as this was the main focus of the artists of the time. Additionally, impressionism has often portrayed everyday scenes, nature, and the simple life of people. Cubist work, however, is better-observed piece by piece – it is composed of various perspectives of the same subjects, but reduced to geometrical shapes and constructs. Cubism was also more dedicated to portraying modern life and was more likely to give commentary on it (e.g. Guernica by Picasso).
Art is also rather dependents on its <u>technique </u>– we do not analyze oil paintings the same way we do drawings. All techniques have their ideas and benefits, they all try to convey different atmosphere and idea.
<u>The artist himself or herself plays a major role in the piece itself,</u> and often understanding of the subject includes looking into the background of the artist’s life. We should see where they got their information, who they were emotionally, and how they conveyed their life into the art.
Answer:
The answer is Don Bluth.
Explanation:
Don Bluth is an American director, artist, producer, and animator. Besides his most famous animated movies, <em>All Dogs Go to Heaven</em> (1989), <em>Thumbelina</em> (1994), <em>A Troll in Central Park</em> (1994), The Pebble and the Penguin (1995) he is well-known as a creator of world-famous video-games <em>Space Aces</em> and <em>Dragon Liar</em>.
D. This is because he is considered part of the early romantic era and is often referred to as a bridge into the romantic era
Answer:
El Greco was born in Crete therefore he was greatly influenced by the Late Byzantine icons paintings elements which he blended with Late Italian Mannerist of Titian, Michelanelo and Raphael´s exagerated proportions and created a deeply emotional fervor evocative of Spain raising emotion through distorted figures, dramatic and tense outlining joining Bizantyne traditions with the Western art style.
Explanation:
Domenikos Theotocopoulos (1541–1614)
, better known as El Greco was born in the island of Crete, he was a painter who got stablished in Toledo between 1577 and 1579, where he did most of his work, until his death on April 6 or 7, 1614 but he was also famous at other parts of Spain.
His own particular style was first influenced by his first pieces about Byzantine icons and this style remained in his subsequent paintings. When he was in Venice he was greatly influenced by masters as Titian, Tintoretto, Basano´s tutoring and later, in 1570 by Michelangelo and Raphael in Rome all of the belonged to Mannerism, a style which was born in 1530 and lasted until the end of the century being replaced by Baroque. It is also called late Renaissance and it is named after maniera, an Italian term for “style” or “manner,” and refers to a stylized, exaggerated seal not only on painting but also in sculpture.
It features exaggeration or alteration in proportions, posture, and expression and even though El Greco has his own individual style, his tortuosly elongated or stretched figures and his fantastic phantasmagorical colours reflected the mannerism style influence.
The prominent blended art of El Greco belongs to a unique style in Spanish Renaissance.
