<span>This play reveals a problem of comparing life and death. The part “the body lieth in clay” messages the reader about how the soul can ‘weep’ after the death because while a person were alive it succumbed to sweetness of several sins. In the last lines, The Messenger tells us that when you are dead, all things that make us happy and shape our personality just goes away and mean nothing. </span>
Answer: complex
Explanation: this sentence is complex because it contains both a dependent and an independent clause.
Imagists believed that poems should have "no ideas but in things." In other words, they would described powerful images, and instead of explaining what those images meant, they would let the reader decide what the meaning or value of those images might be.
Imagists were especially fond of inviting the reader to recognize how very different sorts of images can actually be really similar. Ezra Pound famously did this with his short poem "In a Station of the Metro," which associates "faces in the crowd" with "petals on a wet, black bough."
The poem in your question does something very similar by associating the cat's footprints in the snow with the blossoming flowers of a plum tree. The writer wants you to recognize the odd visual similarity of the footprints and the flowers, ideally to show how there's a kind of cosmic connectedness in the world by (because two very different things end up being really similar).
That's why I think your best answer is A.
It could be C. because a personal website will be biased based on the creators pov.