Answer:
skimming the passage, we’ll find “some critics” mentioned in the third sentence. Indeed, this sentence actually continues to advance Bigsby’s view mentioned in the previous sentence (that Hansberry’s work has “unintentional” irony” that the author seems to reject (stating that we should accept her irony as “deliberate social commentaries”). This third sentence continues to elaborate and broaden the critical view to other critics. The next sentence contains the words “for example,” so that must be the one, right?! Nope. This is the trap; the question specifically mentioned “examples” ad does this fourth sentence of the paragraph, but the “examples” need to refute this view, and the example in the fourth sentence is an example of the critical view the author disagreed with.
Explanation:
An important thing to keep in mind about the Reading Comprehension section of the GRE as we use PowerPrep online to study is that it is just that—reading comprehension. In other words, as difficult as it may seem, and it can be pretty tricky, the test makers will always give us all the information we need in the passage to answer the question. Select-in-passage questions, like number 8 on the second Verbal section of practice test 1, may look different than other questions, but they abide by the same rule.
Select-in-passage questions are unique to the GRE, but that shouldn’t scare us. In fact, a good thing about them is that we can approach each one the same way: we need to read the question carefully in order to find out what criteria our sentence needs to meet. Then, we need to search the passage for a sentence that fits that criteria—ok, admittedly this is sometimes more easily said than done, but we should keep in mind that our question may even give us extra clues as to where to look.
These words are spoken by Mephistopheles, a prince of the underworld who becomes Faustus' servant for twenty-four years after he sells his soul to Lucifer in exchange for unlimited power.
This passage appears in Act 5, Scene 1, where an Old Man appears in front of Faustus an calls him to renounce sourcery and repent, for is not to late to be saved. But Faustus sends him away, and when Mephistopheles appears, he asks the demon to torture the Old Man for offending him.
To this, Mephistopheles responds with these words, meaning that the torture will only be physical, since he cannot touch the man's soul.
Answer:
"Motorcycle Only" Driver License
Explanation:
When Macbeth kills Duncan earlier in the play, Lady Macbeth has to go back and return the daggers to the dead guards so it looks like they were the ones who killed Duncan. When they hear the knocking at the gate she says "a little water clears us of this dead", referring to the blood on both of their hands. At this point in the play she is very casual about the murder and still led by her ambition. In 5.1, this idea of blood being on her hands has completely consumed her and even though it is not apparent her subconscious still sees it and it's impossible for her to get her hands clean enough.
Darkness is an image that is used often in the play as well. In 5.1, the reader learns that Lady Macbeth asks to have a candle with her at all times. This shows that she has become afraid of the darkness that earlier she so easily welcomed. Also, it is implied that even though her eyes are open she is asleep and cannot see--another type of darkness.
When Macbeth kills Duncan he says that he hears voices calling out that "Macbeth has murdered sleep"--sleep is nourishing and important, and by killing Duncan Macbeth thinks that he has ruined everyone's ability to sleep soundly (mostly his own). We see these images return in Lady Macbeth in 5.1 because she is sleep-walking. So, in a way, Macbeth was right--he 'murdered' her ability to sleep soundly because of the actions they both took.
The only way this scene redeems Lady Macbeth is that it shows she does have a conscience. For so much of the play she is so strong, ambitious, and ruthless--she has no issue with shaming Macbeth into killing Duncan to get what she wants. As Macbeth grows in his own ambition and blood-lust, we do not see as much of Lady Macbeth, but it helps here to know that she actually does feel bad about all of the murder and it's catching up with her subconscious and killing her.
