<em></em>
<em>
</em>Answer:
$0.38
<em>:</em>
<em>First we need to convert pounds to ounces</em>
<em></em>
<em>1 pound = 16 ounces</em>
<em></em>
<em>Thus 16 ounces cost $3</em>
<em></em>
<em>If a portion requires two ounces of butter, we must find out the cost of these 2 ounces, knowing that 16 ounces cost $ 3</em>
<em></em>
<em>ounces cost
</em>
<em>16 -- $3
</em>
<em>
</em>
<em>2 -- x
</em>
<em>
</em>
<em>To find the cost x:
</em>

<em>rounding to the nearest cent: $0.38</em>
Answer:
The Orders
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Explanation:
The three main types of columns used in Greek temples and other public buildings are Doric, Ionic, and Corinthian. The truest and most basic difference among the orders has to do with proportions (Doric columns, for example, being thicker and shorter, Ionic columns taller and slimmer). As a shortcut, the orders may be distinguished most easily by their capitals (the tops of the columns). As you can see from the following examples, the Doric capital has the simplest design; the Ionic has the curlicues called volutes, and the Corinthian has the acanthus leaves
Doric is not only a type of column, but an "order"; this means that temples of the Doric order not only have this type of column, but also have a certain structure at the upper levels. The different types of orders (column plus entablature) are illustrated by these diagrams, from Perseus: Doric order, and Ionic order. The Doric order is characterized by the series of triglyphs and metopes on the entablature. Each metope was occupied by a panel of relief sculpture.
The Parthenon combines elements of the Doric and Ionic orders. Basically a Doric peripteral temple, it features a continuous sculpted frieze borrowed from the Ionic order, as well as four Ionic columns supporting the roof of the opisthodomos.
They paint using color combinations not found in naturalistic paintings. Italian Mannerists include the artists Parmigianino, Pontormo, and Vasari. This style of painting is identified with almost the opposite of naturalistic painting. To achieve this , painters would distort the human forms and objects. They create images outside of how nature presented them, and often used fanciful artificial shapes and unrealistic proportions to achieve this. They also use an extreme form of the technique called chiaroscuro, this is the use of a dark background to highlight a subject in bright light.
Answer:
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Explanation:
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