Answer:
major themes in Acquainted with the Night. Sadness, isolation, and hesitation are some of the significant themes featured in the poem. the poet has used aplenty of literary elements to fill his poem with these ideas. The gloomy speaker walks in despair and does not want to be known.
<span> Hurston conveys her own cultural experiences through the contrast of formal language and informal dialect. The whole story is written in formal language which is necessary for any narrative, but in this excerpt you can see a slight exception of the rules:'Ah didn’t know you wuz home.', said in very informal dialect form that author employed in order to both show the southern roots of Janie and make the narrative be more vivid and descriptive.<span>
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The answer is C: A teacher assigns a 10 page research project and says, "this might take a little time".
An understatement is a statement that underplays the significance, value, size, relevance or importance of something and it makes it seem considerable less than what it actually is. In this example, the teacher makes it seem like writing a 10 page essay will take just “a little time”, when in fact, any student knows that a 10 page essay in a considerable enterprise that will take a lot more than just a little time.
APEX answer would be " And, if they lived before the Christian era, / They did not worship god i the right way: / And i myself [Virgil] am one of those poor souls." (Canto IV, lines 34 - 39)
So, basically "Meta"="after" physical is well.. physical
so metaphysical is "after the physical". basically, metaphysics deal with questions that can't be explained...by science anyway. It questions the nature of reality in a philosophical way.
some common questions are: does God exists? Is there a difference between the way things appear to us and the way they really are?
is consciousness limited to the brain?
so hat type of poetry sounds like it would be very abstract, and if all of these poet friends did write poems like that then I believe the answer more than likely is
C.) the poet's fondness for abstract ideas.
