<span> The author uses words such as terrified and paralyzed to describe hot Tom moves his legs onto the ledge. These words probably portray how he felt, like he was going to faint and somehow, he could not move properly. The reader might think or get the impression he is scared. </span>
If the options are:
A. Viewers would have to infer the emotions and motivations of Ben and Regina.
B. Viewers would have to envision the physical descriptions of Ben and Regina.
C. Viewers would have to imagine the few props being used by Ben and Regina.
<span>D. Viewers would have to visualize the actions and movements of Ben and Regina.
</span>
Then the right answer is A. In stage and film adaptations, there is no need for the viewers to envision physical descriptions, imagine props, or visualize actions and movements. They can already see all of that, as the directors have already taken care of it. We only have to visualize all these things when we read the play. However, inferring the inner enigmas of characters' motivations is still up to us.
A paragraph with its topic sentence last would be called an inverted triangle. The point (being the topic), The base (being anything backing up the topic).
Dyess’ account of the Bataan Death March was similar to Burgos’ and Beck’s accounts in the way they described the treatment of prisoners of war. The differences lie in their perspective of the Death March, and the timing of their interviews. Dyess was able to provide more detail as the events were more recent when he was interviewed. Their perspectives differ in that Dyess and Beck had the outsider’s point of view, while Burgos had the local’s point of view.