Answer:
c
Explanation:
he was the only one to spend time with him
<span>“How horrible it would be . . . if she were condemned to be the plain, shy Millicent of a few years back.” - Direct characterization. The speaker explicitly says that Milicent now isn't plain and shy, and that would be a condemnation to her.
</span><span>“Betsy Johnson, the vivacious blonde secretary of the sorority” - Direct characterization. We can see Betsy and we get some information about her character (vivacious).
</span><span>“Walking beside Louise on the way to the drugstore, Millicent felt a surge of pride.” - Indirect characterization. The speaker doesn't say that Milicent is this or that kind of person. He/she just puts her in a context, commenting on her current feelings and thus allowing the reader to make a vague conclusion about her character.
</span><span>“Bev was suddenly there in the doorway. ‘Wipe that smile off your face,’ she commanded.” - Indirect characterization. Again, the speaker here describes this character's action, rather than features and character traits.</span>
This excerpt comes from the book “Danse Macabre” written by Stephen King. It is a non-fiction book about the influences that fears and anxieties in societies have on the development of horror stories. He makes a survey and analysis of several horror stories in the media .
Question: How does the excerpt exemplify the ideas King describes in "Danse Macabre"?
Answer: C. it forces readers to "grapple" with their own mortality
<span>In law, rebuttal is a kind of evidence that is existing to deny or invalidate other indication that has been offered by an opposing party. By similarity the similar term is used in politics and public affairs to mention to the casual process by which declarations, intended to disprove or contradict exact influences put onward by adversaries, are organized in the media. So the answer is D.</span>
Answer and explanation:
The interior story, as the name suggests, is the story within another story. In this passage, the frame story is the speaker, Kevin, receiving a phone call from Matt, a friend he hasn't seen in almost ten years. The frame story is the one that involves the interior story. The interior story begins with the line '"Kevin, come inside!" my mother called.' This line separates the current moment from the moment the speaker is remembering - he and Matt playing outside; Kevin's mother calling him in. There is another story being told now, one about the past. But it is told as if it were happening at this moment. We have, from this moment on, an interior story.
