Answer:
Back then in my town we only had aroudn 2000 people. now we are at almost 7000. there is more art such as a mural inside walmart that says my town name,
Explanation:
<u>Answer:</u>
Although most Americans initially reject modernism, through early adopters, such as Lester Beall and through modern typography, modern editorial design and especially <u>figurative typography</u>, modernism gains acceptance and eventually dominance.
<u>Explanation:</u>
European design was rather abstract and systematic, with American design being functional, practical and less organized in its approach to area organization.Figurative typography, a playful path developed by graphic designers in New York during the 1950s and 60s.
The early typography was a response to the assumed decadence of late 19th century typography and design.It is primarily concerned with the works of the typographers Jan Tschichold and Bauhaus. New Typography regularly uses space in asymmetrical style to create realistic cycles. The page is connected by an underlying map.
Answer:
helloo!!
Explanation:
well the answer is b) Jenne art.
Mali’s first ruler was Sundiata. The oral history of the griots says Sundiata was a sickly child who had trouble walking. Exercise and hard work made him strong. He became a great military leader. By 1250, he had led the Mandinka people against their enemies, won control of the gold trade routes, and founded the empire of Mali. Some of the soldiers in his army might have looked like the horseman in this Malian sculpture from the 1300s.
Conceptual art is the artistic movement that began between 1966 and 1972.
<span>Amongst its most famous artists at its early stage were artists such as Joseph Kosuth, Robert Morris, Joseph Beuys, Adrian Piper. </span>
Conceptual artist produce works and writings that completely rejected standard ideas of art. According to them all art is essentially conceptual. Conceptual artists <span>reduce the material presence of the work to an absolute minimum - a tendency why some critics explain conceptual art as and attack of the economic of art and as the "dematerialization" of art.</span>
