The correct answer for this would be the last option. Based on the excerpt from Betty Friedan’s The Feminine Mystique, the one that contains underlined keywords that reflect mainstream society’s view of a woman’s role in the 1950s and ’60s would be this: <span>All they had to do was devote their lives from earliest girlhood to finding a husband and bearing children. Hope this helps.</span>
Alliteration: "<span> as the scoriac Rivers that Roll— As the lavas that Restlessly Roll" (the 'r' sound is being repeated at the beginnings of words)
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assonance: "</span><span>In the ultimate climes of the pOle— That grOan as they rOll dOwn MOunt Yaanek In the realms of the bOreal pOle" (the vowel sound "o" is repeated throughout the words)
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consonance: "o</span><span>f CypreSS, with PSyche, my Soul" (the consonant "s" sound is repeated at the beginning and ends of words)
These sound devices have a sing-songy effect on the poem which helps create the mystical and mysterious mood. It almost lulls the reader into a type of trance through the memory of the narrator.
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imagery: "</span><span>As the lavas that restlessly roll Their sulphurous currents down Yaanek"
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This strong imagery helps to bring the memories to life for the reader and helps the reader relate to the mindset and the emotions of the narrator by providing images to compare them to. Comparing his heart bursting to the way lava flows down the side of a mountain creates a strong image.
A theme that Geoffrey Chaucer develops through these two excerpts is that of treachery, since both King Peter of Spain and King Peter of Cyprus were betrayed and their lives ended tragically. King Peter of Spain was betrayed by a man named Bertrand, who had agreed to protect him in exchange for a great compensation, but who eventually handed him over to his half-brother, Henry, who promised him an even greater reward and who assassinated Peter in his tent in 1369, becoming the new king. This is narrated in the excerpt, where Bertrand is compared not with Oliver of Charlemagne, friend of Charlemagne, but with the knight that betrayed him ("No, Oliver of Charlemagne... such a trap!").
Peter I of Cyprus devoting his short yet intense life to fight Islam, and he led the short yet devastating Alexandrian Crusade, but his life ended abruptly. Betrayed by his wife and by some of his closer knights, he was assassinated in his bed also in 1369. This is also referred in the poem ("That conquered Alexandria... on thy bed!").
To sum up, both excerpts revolve around this theme, which they present very similarly: after emphasizing the deeds of the two historical characters, they finalize by regretting their tragic endings.
Answer:
it is a fragment that can be completed by adding "at this time" at the end.
Explanation:
