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IgorC [24]
2 years ago
12

When I am dead and over me bright April

English
1 answer:
allsm [11]2 years ago
4 0

The Correct answer is C. She is dealing with anger at a lover who has rejected her.

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Throughout the play, Ismene serves as a foil to Antigone. Although she is courageous like her sister, she is not rebellious. Fin
Daniel [21]

You may have included some of these examples of Ismene’s reluctance to transgress the law:

In the opening scene, Ismene tries to dissuade Antigone from defying Creon’s orders by burying Polyneices; she believes they are “weak women” who cannot contend with men by going against a “monarch’s will.”

Ismene feels that she and her sister “must obey” Creon’s orders or face “worse” consequences, and she begs her dead brothers to “pardon” her.

Ismene, “perforce,” decides to “obey” the earthly legal powers and believes it would be “foolishness” to “overstep” her limitations by going against the king’s civil laws. She says she doesn’t have any skills when it comes to scorning the state or breaking its “ordinance.”

You may have included some of these examples of Ismene’s emphasis on silence:

After her pleas fail to convince Antigone to forgo giving Polyneices a proper burial, Ismene entreats her sister to keep the matter “close and secret” and not to let any man know of her “intent.”

Ismene’s final appearance in the play is interesting to note. She doesn’t appear in the play after Creon sentences her and Antigone to death. While Antigone asks her to escape and choose life, Sophocles doesn’t provide any closure with regard to Ismene at the end of the play. One reason for this decision may be that she’s a foil to Antigone, so whatever happens to her is not as significant compared to what happens to Antigone. Another possibility is that Ismene escaped and lived out the rest of her days in silence and solitude, since she has always placed an emphasis on silence.

You may have included some of these examples of Ismene’s unwillingness to abandon Antigone:

When Creon’s guards capture Antigone and bring her before him, Ismene refuses to let her sister take all the blame. Ismene claims that she also “did the deed” of burying Polyneices and wants to “share the guilt with her sister.”

When Antigone protests, Ismene asks her not to “scorn” her but to allow her to share Antigone’s “work of piety.” Ismene wants to die with Antigone because she believes that life would never “profit” her if she were “bereft” of Antigone.

Ismene also tries to convince Creon not to “slay” his “own son’s plighted bride.” Unfortunately, her attempt at persuading Creon to spare Antigone’s life fails.

5 0
2 years ago
In this excerpt, Queen Elizabeth is attempting to
Alja [10]
The queen was trying to
<span>persuade the troops</span>
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Defend or critique the following statement: “People who are unable to put aside their own interests should not be on teams.”
yawa3891 [41]

Defend. I people cannot set aside their own agenda for the team, and put forth a team effort they do not belong on the team. A team requires all members to co-operate in a manner that is wholly for the team's betterment, and success.

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The main idea of "What Price Glory?" is that busy executives-
prisoha [69]

The correct answer is C) <em>need to balance their home and office lives</em>. As Len Lewis states, modern-day executives must take care of both their personal and professional lives by finding a balance. Moreover, this is shown in paragraph 5:

  • “<em>Adding richness to daily life by striking a balance between home and office is the essence of a successful businessperson.</em>”

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Shakespeare's comedies tend to end with a A. resolution. B. mystery. C. joke. D. marriage.
4vir4ik [10]

Shakespeare's comedies tend to end with a marriage.

William Shakespeare's plays can be divided into three different categories,  comedies, tragedies and histories. Shakespearean comedy usually contains a happy ending that tends to end with the narration of a marriage among the characters. In the Shakespearean comedy, tone along with style are more light-hearted compared to other.



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