Can I have Branliest for the Correct Answer?
Very often things like flashbacks, flash forwards, non-linear narratives, multiple plots and ensemble casts are regarded as optional gimmicks stuck into the conventional three act structure. They're not. Each of the six types I've isolated and their subcategories provides a different take on the same story material. Suddenly, one idea for a film can give you a multitude of story choices. What do I mean?
More than six ways to turn your idea into a film. Let's imagine that you've read a newspaper article about soldiers contracting a respiratory disease from handling a certain kind of weaponry. You want to write a film about it. Conventional wisdom says create one storyline with one protagonist (a soldier who gets the disease) and follow that protagonist through a three act linear journey. There's no question that you could make a fine film out of that. But there are several other ways to make a story out of the idea, and several different messages that you could transmit - by using one of the parallel narrative forms.
<span>Would you like to create a script about a group of soldiers from the same unit who contract the disease together during one incident, with their relationships disintegrating or improving as they get sicker, dealing with the group dynamic and unfinished emotional business? That would be a shared team 'adventure', which is a kind of group story, so you would be using what I call </span>Multiple Protagonist<span> form (the form seen in films like Saving Private Ryan or The Full Monty or Little Miss Sunshine, where a group goes on a quest together and we follow the group's adventure, the adventure of each soldier, and the emotional interaction of each soldier with the others). </span>
Alternatively, would you prefer your soldiers not to know each other, instead, to be in different units, or even different parts of the world, with the action following each soldier into a separate story that shows a different version of the same theme, with all of the stories running in parallel in the same time frame and making a socio-political comment about war and cannon fodder? If so, you need what I call tandem narrative,<span> the form of films like Nashville or Traffic. </span>
Alternatively, if you want to tell a series of stories (each about a different soldier) consecutively, one after the other, linking the stories by plot or theme (or both) at the end, you'll need what, in my book Screenwriting Updated I called 'Sequential Narrative', but now, to avoid confusion with an approach to conventional three act structure script of the same name, I term Consecutive Stories<span> form, either in its fractured state (as in Pulp Fiction or Atonement), or in linear form (as in The Circle). </span>
Short answer: No.
Long answer:
We shouldn't force everyone to speak english, because while it is easier for people to communicate if they all speak the same language, there will still be some problems. Language allows us to have another way to differentiate between people groups, and is a part of the culture of each people group. Language in itself, because of it's diversity, can show what each culture believes in, what the set rules are, as well as how they interact, and using language, what they can build. Language also serves as a diversify of production of items. If everybody spoke the same language, while there will be technology advancement, we will not be able to see how different groups (language groups specifically) handle the same problems. While it is good to be at least bilingual, i believe that not everyone should speak english.
hope this helps
Answer:
Flashbulbs went off, social media began buzzing, and the two toy store owners smiled from ear-to-ear.
With the help of her grandson, Andre, they rebuilt the toy store into a fantastical delight
Explanation:
Complete Question:
Which two sentences from the passage best convey a tone of wonder?
Flashbulbs went off, social media began buzzing, and the two toy store owners smiled from ear-to-ear. However, Margot's daughter began to skimp on costs. It was a jovial tradition passed down to her daughter. With the help of her grandson, Andre, they rebuilt the toy store into a fantastical delight. And with one mighty tug, the new displays beamed out to the overcrowded square.
The tone is used in writing to tell readers' the attitude employed by the writer, through the writing styles and use(choice) of words to convey the writer's mindset or emotion. Therefore, the tone of wonder is simply the tone that makes the story captivating or surprising about a certain situation that influences readers' reactions.
These two sentences :
<em>Flashbulbs went off, social media began buzzing, and the two toy store owners smiled from ear-to-ear.</em>
<em>With the help of her grandson, Andre, they rebuilt the toy store into a fantastical delight; </em>convey a tone of wonder in the passage. Here the author describes the action of the store owner in a vivid way leading the readers to wonder why the store owners are widely smiling and lastly the author paints a sense of wonder that follows the building of the toy store.
C.) They believed in the great chain of being, which dictated social roles.
