Can I have Branliest for the Correct Answer?
Very often things like flashbacks, flash forwards, non-linear narratives, multiple plots and ensemble casts are regarded as optional gimmicks stuck into the conventional three act structure. They're not. Each of the six types I've isolated and their subcategories provides a different take on the same story material. Suddenly, one idea for a film can give you a multitude of story choices. What do I mean?
More than six ways to turn your idea into a film. Let's imagine that you've read a newspaper article about soldiers contracting a respiratory disease from handling a certain kind of weaponry. You want to write a film about it. Conventional wisdom says create one storyline with one protagonist (a soldier who gets the disease) and follow that protagonist through a three act linear journey. There's no question that you could make a fine film out of that. But there are several other ways to make a story out of the idea, and several different messages that you could transmit - by using one of the parallel narrative forms.
<span>Would you like to create a script about a group of soldiers from the same unit who contract the disease together during one incident, with their relationships disintegrating or improving as they get sicker, dealing with the group dynamic and unfinished emotional business? That would be a shared team 'adventure', which is a kind of group story, so you would be using what I call </span>Multiple Protagonist<span> form (the form seen in films like Saving Private Ryan or The Full Monty or Little Miss Sunshine, where a group goes on a quest together and we follow the group's adventure, the adventure of each soldier, and the emotional interaction of each soldier with the others). </span>
Alternatively, would you prefer your soldiers not to know each other, instead, to be in different units, or even different parts of the world, with the action following each soldier into a separate story that shows a different version of the same theme, with all of the stories running in parallel in the same time frame and making a socio-political comment about war and cannon fodder? If so, you need what I call tandem narrative,<span> the form of films like Nashville or Traffic. </span>
Alternatively, if you want to tell a series of stories (each about a different soldier) consecutively, one after the other, linking the stories by plot or theme (or both) at the end, you'll need what, in my book Screenwriting Updated I called 'Sequential Narrative', but now, to avoid confusion with an approach to conventional three act structure script of the same name, I term Consecutive Stories<span> form, either in its fractured state (as in Pulp Fiction or Atonement), or in linear form (as in The Circle). </span>
Answer:
The phrase "Handwashing is in" means that it is in fashion for people to wash their hands.
Explanation:
Bandwagon means to join in on a trend, hopping on the bandwagon.
Sentence D best uses sensory langauge to describe the setting.
In writing, sensory language is used to help readers connect with the scene or action going on in the text. This is mostly done by using descriptive words that appeal to our five senses. In this case, paragraph D uses words and adjectives that appeals to our senses (sight, soung, smell, taste, touch) like "cool forest air", "damp" and filtering sun".
In Mark Brazaitis fiction story Black Heart, Emily made a relationship with Daniel and his dogs by making a concious effort of speaking in Spanish though it is difficult because they recently have moved in the vineyard in Argentina. She used a dictionary with her in order to communicate. She disobeyed her mother of going to the dogs even if she warned her how ferocious those dogs are. She also conquered her fear and devised ways to get near them especially Blackheart- the beastlike dog.
Answer:
The man who picked the maximum quantity got 450 strawberries.
Explanation:
As the speed of the men goes on the ratio 1,2,3,4,5 and the manager decides to set the ratio 5,4,3,2,1 to balance the difference we can say that:
Speed
Man 1 = 1 x
Man 2 = 2 x
Man 3 = 3 x
Man 4 = 4 x
Man 5 = 5 x
where x represents the number of strawberries that they can collect at their specific speed
Then if the hours' ratio works on the inverse stating that the first man works 5 hours we can say that:
Man 1 = 5 hours
Man2 = 4 hours
Man3 = 3 hours
Man4 = 2 hours
Man 1 = 1 hour
taking these as a base the results after a working day for each man would be:
Man 1 = 5 hours (1x) = 5x
Man 2 = 4 hours (2x) = 8x
Man 3 = 3 hours (3x) = 9x
Man 4 = 2 hours (4x) = 8 x
Man 5 = 1 hour (5x) = 5 x
As presented in the problem two-man collected 250 each and two others collected more than these two and another one collected the maximum amount.
Then, Men 1 and 5 have collected the same quantity that is 250
250 = 5 x
x = 50 strawberries
The next pair would be men 2 and 4 who have collected 8 x each
8 x 50 = 400 strawberries
The last man is number 3 who has collected 9x
9 x 50 = 450 strawberries.
