Answer:
1. "It is a great Dead Place—greater than any Dead Place we know."
2. "Everywhere there are the ruins of the high towers of the gods."
Explanation:
Background or setting is the time and place of a tale, whether it be reality or fiction. As a literary element, it's a must. The location establishes the story's major backdrop and tone.
Passage:
It is not true what some of the tales say, that the ground there burns forever, for I have been there. Here and there were the marks and stains of the Great Burning, on the ruins, that is true. But they were old marks and old stains. It is not true either, what some of our priests say, that it is an island covered with fogs and enchantments. It is not. It is a great Dead Place—greater than any Dead Place we know. Everywhere in it there are god-roads, though most are cracked and broken. Everywhere there are the ruins of the high towers of the gods.
Answer: The motif addressed in both forms of poetry is nature.
Explanation: A Motif is a symbolism that is repeated throughout the poem in different forms. The poem "Wine of the Fairies" by Percy Bysshe Shelley, and the majority of the haikus (Japanese poems) by Buson, use the motifs of nature and fantasy, mentioning fairies, flowers, seasons, and more. We can see this in the haiku "Natsukawa wo/ Kosu ureshisa yo/ Te ni zori", by Buson, where we can see verses such as:
The summer river.
It’s happy to walk across it.
My hands with zori sandal.
Likewise, in "Wine of the Fairies" Shelley describes his love for these elements when being drunk in the lines: "Which fairies catch in hyacinth bowls." "And when ’tis spilt on the summer earth", "Of the fairies bear those bowls so new!"
Answer:
Enjambed line.
Explanation:
In poetry, an enjambment is a literary device in which there is a disproportion between the syntax and the metric of a verse.
It can easily be recognized as the idea is not fully expressed by the end of a verse. An enjambment breaks the thought in two and it must be continued through the following line.
This literary device was frowned upon by the classics but was kindly welcomed by the romantics due to its strong <em>expressiveness</em>.
I believe it is the work we enjoy is not really work
The answer is A). His confidence is transformed by the crowd’s response.
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