Part I
"A strange multiplicity of
sensations seized me, and I saw, felt, heard, and smelt, at the same time.
"
This part of the excerpt shows that the speaker is experiencing impulses of a newborn who is just starting to be aware of his senses.
Part II
"I knew, and could distinguish, nothing."
This reflects innocence and lack of experience or knowledge.
Part III
"Sometimes I wished to express my sensations
in my own mode, but the uncouth and inarticulate sounds which broke from me
frightened me into silence again.'
This mirrors a baby's innocence and puerile attempt to express feelings.
Answer:
#2 Question on counterpoints
Explanation:
Sir Walter Raleigh writes "The Nymph’s Reply to the Shepherd" as a response to Christopher Marlowe’s poem. Each stanza of Raleigh’s poem is a rejection or disqualification of the Shepard's promises in “The Passionate Shepard to His Love”, these are his counterpoints. He stresses two ideas, the first is that all things fade in time, including love, and the second is that there are consequences for every action. In his story, the Nymph is portrayed as skeptical and cold-hearted. She believes love is too good to be true, meanwhile, the Shepard has a warmer and loving side. One counterpoint Raleigh makes is that nature is not as beautiful as it is portrayed in other poems. In Marlow’s poem nature is described in awe and wonder, while in Raleigh's it is described in a realistic and unfanciful sense. Another counterpoint he makes has to do with love. He claims that love “fades as quickly as the flowers die”. The main point of his poem is to communicate the realistic and prudent side of life, he believes that love does not last and similarly, the beauty of nature is as temporary as love. eventually fades and dies.
If a meteor were to crash to earth it would probably stir up a lot of dust, which would block out the sun
Answer:
Do you have a picture of the paragraph?
Answer:
F. Manipulative
ExplanatiFon:
Abigail Williams is a manipulative character in Arthur Miller’s play “The Crucible.” Miller illustrates this through the stage directions in Act One. It states, “…an endless capacity for dissembling.” (Miller 1130). This trait is how Abigail avoids conflict throughout the entire play. Additionally in Act Two, she increases her exploitation to a prodigious scale. During this act, Abigail pulls a needle from her stomach claiming that it was Elizabeth Proctor’s spirit trying to kill her; therefore, causing Elizabeth to be arrested for witch craft at the end of the act (Miller 1176-1177). This example is the first time that the audience learns that the increase of Abigail’s power has a direct correlation to the rising action in the play. Abigail uses power and manipulation throughout the play to get what she wants and make people fear her.
