Answer:
He can include many history's
Explanation:
they are many type of history's
Answer:
Metaphor
Explanation:
This sentence doesn't have the words like or as comparing a few things so it can't be a simile.
This sentence doesn' t really exhausted anything so it can' t be a hyperbole.
This sentence doesn't compare something with an action which only humans can do so it isn't personification.
The person who wrote this sentence is trying to explain the sound he or she is hearing. So they added all the sounds mentioned to compare with the real noise.
The Stage Manager in the play Our Town serves as a "narrator"; he (or she, in some productions) explains the action to the audience, and since there is little in the way of set decoration, his commentary takes the place of some stage direction. He is a conduit between the action of the play and the audience, at times breaking the "fourth wall" by speaking directly to the audience, and at other times participating in the action. His role is similar to the role of the Chorus in ancient classical Greek drama, commenting on the action to help clarify some of the dramatic elements for the audience and helping to move the plot along.
The third sentence. <span>The football team repeats their motivational chant before every game: “We’re going to win, win, win!”</span>.
The Full question reads;
Which piece of evidence best reveals how Elijah’s words contribute to Joe’s death?
A. “Looka theah, folkses!” cried Elijah Mosley, slapping his leg gleefully. “Theah they go, big as life an’ brassy as tacks.” (Paragraph 2)
B. “He rides that log down at the saw-mill jus’ like he struts ‘round wid another man’s wife — jus’ don’t give a kitty.” (Paragraph 5)
C. “Talkin’ like a man, Joe. Course that’s yo’ fambly affairs, but Ah like to see grit in anybody.” (Paragraph 16)
D. “Aw, Ah doan’t know. You never kin tell. He might turn him up an’ spank him furgettin’ in the way, but Spunk wouldn’t shoot no unarmed man.” (Paragraph 22)
Answer:
<u>D. “Aw, Ah doan’t know. You never kin tell. He might turn him up an’ spank him furgettin’ in the way, but Spunk wouldn’t shoot no unarmed man.” (Paragraph 22)</u>
<u>Explanation:</u>
In the short story entitled "SPUNK" by Ora Neale HURSTON which focuses mainly on three characters, namely Joe, Joe's wife, and Spunk. A beef is created when Spunk had an affair with Joe's wife, feeling bad Joe tries to confront's Spunk in which Elijah’s words led to his death.
