Answer:
i believe its nelda values tracy and sees her as a friend
Explanation:
this is for part b the txt says “her hometown,this old river, and her loyal friends would always be here to come back to visit. Her parents had promised she could come back and visit tracy and her family next summer
I believe that the best answer among the choices provided by the question is
<span>Today,
Paul Kramer’s paintings, which hang in a Minnesota museum, highlight
the connection between the town’s past and its future.</span>
The correct answer is: Each author uses figurative language.
Indeed, the first author uses figurative language (he took the tortillas out of his poetry) which is followed by a very explicit explanation, that the character in question “took the soul out of his poetry”. This use of figurative language is effective in eliciting an emotional response from the reader by the pathos of the premise, that removing foreign, Mexican Spanish words from the character’s poetry also removes its soul, in other words, its identity.
The second author also uses figurative language and there is a hint of irony in the description that immediately follows the dialogue. The immediate landscape is used to show the “heritage-deprived” person that he actually does have a heritage. In other words, he does not need to be a hyphenated American in order to have a heritage because it is right there “dangling over his head”.
The symbolism of the “tall American tree” is used to show how the speaker of these lines that America has its own heritage, which lies in its history, its melting pot and its territory and he cannot even see it.
Now watch me whip (kill it!)
Now watch me nae nae (okay!)
Now watch me whip whip
Watch me nae nae (want me do it?)
Now watch me whip (kill it!)
Watch me nae nae (okay!)
Now watch me whip whip
Watch me nae nae (can you do it?)
Now watch me
Ooh watch me, watch me
Ooh watch me, watch me
Ooh watch me, watch me
Ooh ooh ooh ooh
Ooh watch me, watch me
Ooh watch me, watch me
Ooh watch me, watch me
Ooh ooh ooh ooh
Do the stanky leg, do the stanky leg
Do the stanky leg, do the stanky leg
Do the stanky leg, do the stanky leg
Do the stanky leg, do the stanky leg
Now break your legs
Break your legs
Tell 'em "break your legs"
Break your legs
Now break your legs
Break your legs
Now break your legs
Break your legs
<span>he privileged are unaware or apathetic toward the
oppression of the marginalized class, often playing the role of the
spectator. This may be the most obvious parallel between dystopian fiction and our society.
Hope this helps.
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