The writer of The Negro Artist and the Racial Mountain is Langston Hughes. Hughes was born in 1902 in Joplin, Missouri, a descendant of noticeable abolitionists. His racial heritage was a mix of Indian, African, and French. Langston Hughes was an American poet, essayist, playwright, and short story writer. He is still considered one of the most distinguished contributors to American literature in the 20th century. He rose to fame during the Harlem Renaissance and continued to produce experimental and groundbreaking work for the next several decades. Hughes was known for vocalizing the concerns of working-class African Americans. His work was greatly influenced by jazz, and he often wrote in a simple and straightforward fashion, sometimes even using the vernacular style.
The article “The Negro Artist and the Racial Mountain” was written during the Harlem Renaissance of the 1920s, African American authors, poets, musicians, and artists pursued new ways to express the black experience in America. The poet Langston Hughes worried that the search for critical and commercial success might tempt black artists to compromise their ideals and their distinctive racial and cultural identity. In this article, Hughes argues black artists must embrace their race to create meaningful art.
Hughes asserts that he writes about racial issues. He writes about racial problems because for the black, everything in America is a racial question. To do else is to reject that sense of identity and to reject that sense of identity is to say that you don’t want to be a Negro poet or a Negro novelist or a Negro musician or Negro dramatist.
The words that BEST replace the underlined words <u>aping of things</u> to retain the same meaning are:
Imitation of
For monkeys or apes in general have been associated with the concept of imitation, that is the best option. The saying “monkey sees monkey does” is a clear example of it.
