Answer: 1 demonstrative, 2 demonstrative, 3 demonstrative, 4 demonstrative 5 relative .who= relatave
<em>Itself</em> is a <u>reflexive</u> pronoun,
<em>Our </em>and <em>his </em>are possessive pronouns (his/hers/theirs in these sentences are an absolute pronouns)
<em>Where </em>and <em>which </em>are interrogative pronouns
Explanation:
Those boys over there challenged
.theseboys here for a football match.
I like this
film a lot more than
that one they showed last week.
Yesterday I saw a car
that was really pimped-up.
This is the girl...who had an accident.
The cat nearly killed itself
.when it ran across the road.
Alice and Doris collected the stickers .(??? Where is the blank ?)
We have this/our car. That car is his/hers/theirs
He has a key. That key is his
Where .are you from?
Which. one do you prefer: tea or coffee?
Answer:
It would be hard to find a European city that has a worse reputation than <u>Bartovia's</u>, with crime, rubbish, graffiti and dereliction featuring in every description over the last 60 years. With unemployment running at 11% and the city government essentially bankrupt, there are few bright spots in <u>Bartovia's </u>future. One of the few, however, is a new venture run by Sergio Leone, who has returned to the city of his birth to try and make the impossible a reality. Along with tanning (the process of treating animal <u>skins</u> to produce leather), dyeing has a long and glorious history in Bartovia. The difference today, though, is that <u>Sergio Leone's</u> mission is to bring to a centuries-old tradition the very latest bleeding-edge technology.
If I bolded and underlined the word, it means I either added one or took it out. I added 3 and took out 1. Skins is the one I took out, the rest I put in.
Let me Know I I am right. :)
Answer:
Enjambed line.
Explanation:
In poetry, an enjambment is a literary device in which there is a disproportion between the syntax and the metric of a verse.
It can easily be recognized as the idea is not fully expressed by the end of a verse. An enjambment breaks the thought in two and it must be continued through the following line.
This literary device was frowned upon by the classics but was kindly welcomed by the romantics due to its strong <em>expressiveness</em>.
I think these are the missing pieces:
<span>#1.) They can very seldom pick up a livelihood by stealing till they arrive at six years old; except where they are of towardly parts, although I confess they learn the rudiments much earlier.
#2.) These children are seldom the fruits of marriage, a circumstance not much regarded by our savages.
#3.) Men would become as fond of their wives, during the time of their pregnancy, as they are now of their mares in foal, their cows in calf, or sow when they are ready to farrow.
</span>
<span>A.) the general perception of all poor as thieves and robbers
B.) the government's lack of attention to the poor
C.) the perception that Irish families lack a regard for the institution of marriage
D.) the lack of institutions to conduct marriages for the Irish poor
E.) the increasing number of husbands abandoning their wives and children
F.) the belief that thieves and robbers are abundant in Ireland
G.) poor husbands' low opinion of their wives
</span>
My answers:
#1 is paired with A.
#2 is paired with C.
#3 is paired with G.
