<span>Naturalistic encaustic portraits of the Roman era, from the Fayum Oasis in Egypt, were created as funerary adornments.
This type of art refers to adornments that have to do with cemeteries and tombs. It was especially popular in Egypt, where sarcophagi were embellished so as to commemorate the dead. In the Roman empire this was also a custom, only tombstones instead of sarcophagi were decorated.
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Answer:
The correct answer is Chiaroscuro.
Explanation:
When strong contrasts between light and dark, usually bold contrasts affecting a whole composition is utilized by an artist he or she is said to be using Chiaroscuro technique.
It was invented by Leonardo da Vinci.
In italian, the word Chiaroscuro refers to light and shadow. When you see a painting of an object of a person with an illusion of light falling at same from an angle, you are most likely looking at the Chiaroscuro technique.
This technique also creates an illusion that one is looking at three-dimensional objects and figures. It gives a sense of volume in modelling.
Some of the prominent artists who used the Chiaroscuro technique are:
- Caravaggio
- Georges de La Tour
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Hendrick ter Brugghen and so on.
The technique is also used in photography and motion picture.
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After living through World War l and witnessing the effects of war on society and its people, artists had a new sense of reality.
Answer: is b. had a new sense of reality.
Hope it helped you, and have a great day!
-Charlie
Answer:
Considerar que sim, qualquer obra publicada em grande teatro poderia ser reproduzida na rua, uma vez que seus próprios olhos estavam vazios, nas ruas, pudesse lembrar-se antes da Grécia, Atenas e Roma tinham um local criado para esse fim, os artistas usados se organizar nas ruas como se fosse uma banca de mercado e representada uma cena, seja histórico, política ou social, com um certo humor de humor que permita que seja apreciado por qualquer pessoa, use sua posição social, embora A forma não era tão glamourosa quanto em um local construído e adaptado; sua improvisação e adaptabilidade permitem que máscaras, ambientes rústicos e roupas personalizadas projetem uma mensagem, que é um dos principais objetivos de um artista.
Explanation:
No texto, ofereço algumas razões pelas quais se pode considerar que uma grande peça de teatro pode ser tocada na rua; você também deve se lembrar que o <u>teatro é inspirado nas danças rituais do Egito e nos primeiros passos do homem pelo fogo que serviram como preâmbulo da dança</u>, ações que aconteciam na rua, isto é, ao ar livre, e que, é claro, podem retornar às suas origens sem modificar substancialmente sua essência.
Answer:
Explanation:
Both free-standing sculpture and reliefs are sculpturing methods, done in various materials, trying to make covey artistic impressions in a three-dimensional method. <u>Relief is a technique in which the statue is attached to the background plane. A free-standing statue (as suggested by its name) exists without the back support and can be sculptured and seen from all angles.</u>
<u>Reliefs are better as the architectural elements in the terms of design and planning.</u> <u>They can easily be incorporated into space as the decoration, as they take up less room.</u> They can be placed anywhere on the wall or freeze to make the area come to life and give it some art ornament.
Additionally,<u> reliefs are an excellent way to make an art piece in which light and shadow take an important part. </u><u>As they have background elements on which the shadows can be seen, by making the different texture of relief, these can be an important part of the impression of the art piece as its seen by the observer, making natural elements a crucial part of the design itself.</u>
<u>The drawback of the relief compared to the free-standing statue is that it can’t give a full impression of three-dimensionality</u>.<u> It still has its background that it is attached to, and it can’t be seen separately, in free space, from all angles, and as a real body in the space</u>. This element also can make<u> relief harder for transportation and movement</u> – reliefs have historically been the part of the architecture of the buildings itself, <u>and if they want to be preserved and displayed in the museum, they have to be cut from their background</u>. On the contrary, the free-standing statue can be transported separately and without any additional operations.
