Answer:
The animals in Animal Farm refer to each other as "comrades" because all of them shared a common goal and were a member of farm animals.
Explanation:
Animal Farm is a novel authored by George Orwell. The story depicts how a group of farm animals revolt against the framer. The one who inspired other animals to rebel the farmer was the Old Major who was the oldest pig on the farm.
While addressing the fellow animals, the Old Major referred them as ‘comrades.’ Comrades are the companions who share common goals and activities. All the farm animals was having a common goal which was to rebel their human farmer, and which is why later all of them started addressing each other as comrades because they were all follow revolutionaries.
Can I have Branliest for the Correct Answer?
Very often things like flashbacks, flash forwards, non-linear narratives, multiple plots and ensemble casts are regarded as optional gimmicks stuck into the conventional three act structure. They're not. Each of the six types I've isolated and their subcategories provides a different take on the same story material. Suddenly, one idea for a film can give you a multitude of story choices. What do I mean?
More than six ways to turn your idea into a film. Let's imagine that you've read a newspaper article about soldiers contracting a respiratory disease from handling a certain kind of weaponry. You want to write a film about it. Conventional wisdom says create one storyline with one protagonist (a soldier who gets the disease) and follow that protagonist through a three act linear journey. There's no question that you could make a fine film out of that. But there are several other ways to make a story out of the idea, and several different messages that you could transmit - by using one of the parallel narrative forms.
<span>Would you like to create a script about a group of soldiers from the same unit who contract the disease together during one incident, with their relationships disintegrating or improving as they get sicker, dealing with the group dynamic and unfinished emotional business? That would be a shared team 'adventure', which is a kind of group story, so you would be using what I call </span>Multiple Protagonist<span> form (the form seen in films like Saving Private Ryan or The Full Monty or Little Miss Sunshine, where a group goes on a quest together and we follow the group's adventure, the adventure of each soldier, and the emotional interaction of each soldier with the others). </span>
Alternatively, would you prefer your soldiers not to know each other, instead, to be in different units, or even different parts of the world, with the action following each soldier into a separate story that shows a different version of the same theme, with all of the stories running in parallel in the same time frame and making a socio-political comment about war and cannon fodder? If so, you need what I call tandem narrative,<span> the form of films like Nashville or Traffic. </span>
Alternatively, if you want to tell a series of stories (each about a different soldier) consecutively, one after the other, linking the stories by plot or theme (or both) at the end, you'll need what, in my book Screenwriting Updated I called 'Sequential Narrative', but now, to avoid confusion with an approach to conventional three act structure script of the same name, I term Consecutive Stories<span> form, either in its fractured state (as in Pulp Fiction or Atonement), or in linear form (as in The Circle). </span>
Silver foil to wrap this walnut cake
The answer is
A. Tyson was practically vilified in the press until Pluto was officially recognized as a Dwarf Planet.
Notice the higher vocabulary that is used in this answer. This indicates that the wording/phrasing is formal.
Hope this helps!
Dwaina’s words and actions reveal that she is
determined. In Dwaina Brooks by Allie Morton, Dwaina talked with a young man who had been without a home for a long time. Dwaina talked to many homeless people and then rushes back home. She explaines her plan to her mother of how she would provide the meal to homeless people. Since then, every night Dwaina prepared the meal every Friday night for the homeless shelter in Dallas.
