Answer:
Explanation: Here, it is possibly debatable as the decision would depend and differ due to the various factors like the past records of the applicant prior to the crime, sense of realization, his evolution after the crime etc. If they are refused to be hired everywhere it may lead to the destruction of not merely their future and career but may also result in their falling into depression and leading to committing of another crime.<em> If they are given jobs then there too there are equal chances of turning them into model employees in order to nullify the effects of their previous criminal acts or getting back to their previous criminal nature and commission of another crime.</em> It is quite a situation of dilemma which could be solved by using the personal history of the candidate prior to hiring and even after that it is essential to keep a check onto his/her activities at the workplace.
I am pretty sure about the second excerpt, it directly shows gods' involvement in mortal affairs
Then thus Minerva in Laertes' ear:"Son of Arcesius, reverend warrior, hear!Jove and Jove's daughter first implore in prayer,Then, whirling high, discharge thy lance in air."
And I believe that the next correct answer is
“But, tell me who thou art? and what thy race?
Thy town, thy parents, and thy native place?
Or, if a merchant in pursuit of gain,
What port received thy vessel from the main?
Or comest thou single, or attend thy train?”
Though there are no italicized words in any of the sentences. I would assume that the correct answers are either letter A or letter B.
In letter A, Washington Post, can be italicized to connote a name of the Newspaper in the sentence. In letter B, South Pacific, can be italicized to emphasize the title of the Broadway Musical in the sentence. Either A or B is the answer to your question.
The correct word from the excerpt from Poe’s "The Fall of the House of Usher." that could be used to argue that the narrator is unreliable is the last option among the choices is: “Overpowered” suggests the narrator’s lack of control.
