<span>of prints determined by an artist to be printed from a single plate</span>
<u>Answer:</u>
Although most Americans initially reject modernism, through early adopters, such as Lester Beall and through modern typography, modern editorial design and especially <u>figurative typography</u>, modernism gains acceptance and eventually dominance.
<u>Explanation:</u>
European design was rather abstract and systematic, with American design being functional, practical and less organized in its approach to area organization.Figurative typography, a playful path developed by graphic designers in New York during the 1950s and 60s.
The early typography was a response to the assumed decadence of late 19th century typography and design.It is primarily concerned with the works of the typographers Jan Tschichold and Bauhaus. New Typography regularly uses space in asymmetrical style to create realistic cycles. The page is connected by an underlying map.
Answer:
El Greco was born in Crete therefore he was greatly influenced by the Late Byzantine icons paintings elements which he blended with Late Italian Mannerist of Titian, Michelanelo and Raphael´s exagerated proportions and created a deeply emotional fervor evocative of Spain raising emotion through distorted figures, dramatic and tense outlining joining Bizantyne traditions with the Western art style.
Explanation:
Domenikos Theotocopoulos (1541–1614)
, better known as El Greco was born in the island of Crete, he was a painter who got stablished in Toledo between 1577 and 1579, where he did most of his work, until his death on April 6 or 7, 1614 but he was also famous at other parts of Spain.
His own particular style was first influenced by his first pieces about Byzantine icons and this style remained in his subsequent paintings. When he was in Venice he was greatly influenced by masters as Titian, Tintoretto, Basano´s tutoring and later, in 1570 by Michelangelo and Raphael in Rome all of the belonged to Mannerism, a style which was born in 1530 and lasted until the end of the century being replaced by Baroque. It is also called late Renaissance and it is named after maniera, an Italian term for “style” or “manner,” and refers to a stylized, exaggerated seal not only on painting but also in sculpture.
It features exaggeration or alteration in proportions, posture, and expression and even though El Greco has his own individual style, his tortuosly elongated or stretched figures and his fantastic phantasmagorical colours reflected the mannerism style influence.
The prominent blended art of El Greco belongs to a unique style in Spanish Renaissance.
Answer:
More than likely they use light colors or dark colors because most people feel intense around those colors.