Read the excerpt from "Benin Plaque: The Oba with Europeans.” Many wild theories were put forward. It was thought that the plaqu
es must have come from ancient Egypt, or perhaps that the people of Benin were one of the lost tribes of Israel. Or the sculptures must have derived from European influence (after all, these were the contemporaries of Michelangelo, Donatello and Cellini). But research quickly established that the Benin plaques were entirely West African creations, made without European influence. The Europeans had to revisit, and to overhaul, their assumptions of easy cultural superiority. Which central idea is best supported by the details in the excerpt? Europeans believed that the Benin plaques were inferior to European art. The Benin plaques challenged Europeans’ beliefs about West Africa. The Benin plaques were copied by many famous European artists. Europeans traveled to West Africa to purchase more Benin plaques.
The correct answer is B. The Benin plaques challenged Europeans’ beliefs about West Africa.
The excerpt explains that Europeans believed that the Benin plaques must have been inspired by the Europeans or Egyptians. However, these beliefs were proven incorrect when it became clear that the "plaques were entirely West African creations."
Therefore, the plaques challenged the Europeans' beliefs. Their original beliefs were proven incorrect.
