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ehidna [41]
2 years ago
8

Record one piece of evidence that best describes Major Kovaloff.

English
2 answers:
ohaa [14]2 years ago
8 0
Major Kovaloff can best be described as proud. He is very proud of his station and his rank, and wants everyone to respect him for it. In the story, it says "He did not so much mind people making personal remarks about him, but it was a different matter when aspersions were cast on his rank or social standing." This shows that he cares very much about his rank and dislikes when people aren't as respectful as he thinks they should be. 
dusya [7]2 years ago
7 0

He was clearly insecure and very caught up on his own title. It is noticeable, also, how futile he is.

<em>"He had been a collegiate assessor for only two years and therefore could not forget it for  a single minute. To make himself sound more important and to give more weight to his  status he never called himself collegiate assessor, but ‘Major’."</em>

You might say that he was proud of his rank because of the following text:

<em>"He did not so much mind people making personal remarks about him, but it was a different matter when aspersions were cast on his rank or social standing."</em>

But in the end, he would even change what to be called to make himself more important, showing again his own desire of being more than what he is, his insecurity and futility.

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4 0
2 years ago
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Use parallel structure to describe three qualities of one of the protagonists in a short story you’ve read.
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Very often things like flashbacks, flash forwards, non-linear narratives, multiple plots and ensemble casts are regarded as optional gimmicks stuck into the conventional three act structure. They're not. Each of the six types I've isolated and their subcategories provides a different take on the same story material.  Suddenly, one idea for a film can give you a multitude of story choices. What do I mean?

More than six ways to turn your idea into a film. Let's imagine that you've read a newspaper article about soldiers contracting a respiratory disease from handling a certain kind of weaponry. You want to write a film about it. Conventional wisdom says create one storyline with one protagonist (a soldier who gets the disease) and follow that protagonist through a three act linear journey.  There's no question that you could make a fine film out of that. But there are several other ways to make a story out of the idea,  and several different messages that you could transmit - by using one of the parallel narrative forms.

<span>Would you like to create a script about a  group of soldiers from the same unit who contract the disease together during one incident, with their relationships disintegrating or improving as they get sicker, dealing with the group dynamic and unfinished emotional business?  That would be a shared team 'adventure', which is a kind of group story, so you would be using what I call </span>Multiple Protagonist<span> form (the form seen in films like Saving Private Ryan or The Full Monty or Little Miss Sunshine, where a group goes on a quest together and we follow the group's adventure, the adventure of each soldier, and the emotional interaction of each soldier with the others). </span>

Alternatively, would you prefer your soldiers not to know each other, instead, to be in different units, or even different parts of the world,  with the action following each soldier into a separate story that shows a different version of the same theme, with  all of the stories running in parallel in the same time frame and making a socio-political comment about war and cannon fodder?  If so, you need what I call tandem narrative,<span> the form of films like Nashville or Traffic. </span>

Alternatively, if you want to tell a series of stories (each about a different soldier) consecutively, one after the other, linking the stories by plot or theme (or both)  at the end, you'll  need what, in my book Screenwriting Updated I called 'Sequential Narrative', but now, to avoid confusion with an approach to conventional three act structure script of the same name, I term Consecutive Stories<span> form, either in its fractured state  (as in Pulp Fiction or Atonement), or in linear form (as in The Circle). </span>


7 0
2 years ago
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Yuri [45]

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6 0
2 years ago
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mash [69]

Answer:

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Explanation:

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Verizon [17]

Answer:

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