Answer:
The Talking Skull
Explanation:
In Donna L. Washington's "The Talking Skull-A fairy tale by Cameroon," the theme involves how you might be bothered by speaking too much about yourself and talking too loud. In order to teach the lesson, the author utilities the character of the talking skull. A man who sees himself as a philosopher and who speaks and talks about topics that are just essential to him, but who nobody else needs to know, discovers a skull. In other words, the skull responds directly to what triggered her death, "Talking."
Ask you to. That’s what I think, it’s the most welcoming phrase
As mentioned in the comments, this question is about completing the sentence with a noun clause.
Answer:
He is a liar and so you need not believe what he says.
Explanation:
<u>A noun clause is a dependent clause that functions as a noun in a sentence. That means it can function as subject, object of a verb or of a preposition, or a predicate nominative. Noun clauses begin with words such as what, whatever, when, which, how etc.</u>
Having that in mind, I will provide a couple of possible answers:
- He is a liar and so you need not believe what he says.
- He is a liar and so you need not believe that he is truly sorry.
The diction of Steinbeck here in apparently describing the dustbowl conditions of the Dirty Thirties is speaking of "tenant men" or presumably men who were tenant farmers perhaps who were allowed to live on the land in return for working it and that they "scuffed" their way home indicates that the dust was so thick they had to scuff but also perhaps that since they could barely make a living under the poor agricultural conditions they did not walk confidently but scuffed.
<span>The poem admirably describes the ways of Native Americans, viewed as “noble savages,” some of the references made to the manner in which they bury their dead seated symbolizing the vitality for eternal life. The Native Americans are referred to as</span><span> “a ruder race” (line 24) and as the “children of the forest” (line 28) who in death produce “many a barbarous form” (line 31) to haunt their graveyard and punish unwary intruders, he juxtaposes this idea with the privilege of European values brought by colonial culture. </span>
