<em>dialog that subtly suggests communication conflicts</em> This is the correct option.
The charters in the story ,“Hills Like White Elephants”, talk about "it" all the time. The reader has to infer that what the man and the woman are talking about is an abortion. However, they seem to have difficulties to speak openly about it and they do not have it clear what they will decide. There are communication conflicts. The man thinks he knows what will be best for the woman but she does not sound so assertive. Their dialogue is fragmented. There is not a "history" line through it. The reader has to assume how it is they got together and she became pregnant. Yet, the couple are faced with a difficulty they find it hard to talk about.
These options are not right:
-characters who hide secret intentions from one another ( In this case, the woman is not hiding her pregnancy, for example. The man is not hiding his intentions , either. They cannot talk freely and openly about their problem: the woman 's pregnancy).
-imagery that highlights the importance of the setting. ( The imagery is used metaphorically to ,probably, represent the characters' emotions and moods).
-metaphors that reveal significant plot developments. ( Heminway tends to use simple language to get closer to the reader. Therefore, he will not oversuse sophisticated language).
Answer:
<u><em>Judson Webb died by drinking a bottle of whiskey that contained two tablets of rat poison.</em></u><em>
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Explanation:
Ruthless is an exceptional story written by William de Mille. Judson Webb is one of the main characters of this story. The author elaborates on how Judson kills himself after he leaves his camp in the mountains.
The main theme of this story is that <em>any act of revenge has its devastating drawbacks</em>. One can not shake this feeling off and sooner or later gets punished for their wrong doings.
<em>Judson is shown to be very evil and his wife fears him.</em>
Answer:
Fortitude means courage in pain and adversity. When looking back at the text you had said that he said fearlessly. fearlessly is the lack of fear for that, it conveys that to have courage and bravery you must not fear.
In the figures of the civil watch and the Prince, the brawl introduces the audience to a different aspect of the social world of Verona that exists beyond the Montagues and Capulets. This social world stands in constant contrast to the passions inherent in the Capulets and Montagues. The give-and-take between the demands of the social world and individuals’ private passions is another powerful theme in the play. For example, look at how the servants try to attain their desire while remaining on the right side of the law. Note how careful Samson is to ask, “Is the law on our side, if I say ‘Ay,’” before insulting the Montagues (1.1.42). After the Prince institutes the death penalty for any who disturb the peace again, the stakes for letting private passions overwhelm public sobriety are raised to a new level.
Finally, this first scene also introduces us to Romeo the lover. But that introduction comes with a bit of a shock. In a play called Romeo and Juliet we would expect the forlorn Romeo to be lovesick over Juliet. But instead he is in love with Rosaline. Who is Rosaline? The question lingers through the play. She never appears onstage, but many of Romeo’s friends, unaware that he has fallen in love with and married Juliet, believe he is in love with Rosaline for the entirety of the play. And Friar Lawrence, for one, expresses shock that Romeo’s affections could shift so quickly from Rosaline to Juliet. In this way, Rosaline haunts Romeo and Juliet. One can argue that Rosaline exists in the play only to demonstrate Romeo’s passionate nature, his love of love. For example, in the clichés he spouts about his love for Rosaline: “Feather of lead, bright smoke, cold fire, sick health” (1.1.173). It seems that Romeo’s love for chaste Rosaline stems almost entirely from the reading of bad love poetry. Romeo’s love for Rosaline, then, seems an immature love, more a statement that he is ready to be in love than actual love. An alternative argument holds that Romeo’s love for Rosaline shows him to be desirous of love with anyone who is beautiful and willing to share his feelings, thereby sullying our understanding of Romeo’s love with Juliet. Over the course of the play, the purity and power of Romeo’s love for Juliet seems to outweigh any concerns about the origin of that love, and therefore any concerns about Rosaline, but the question of Rosaline’s role in the play does offer an important point for consideration.
