Answer:
Gregor's physical form parallels his inner state. At first, Gregor is shocked and awkward in his new body. He has a hard time getting used to his many, skinny legs or his lack of teeth. However, with time alone in his room, he is able to start walking easily. He becomes comfortable in his new form.
In “The Rime <u>of the</u> Ancient Mariner,” the albatross was initially an omen of good luck.
The correct answer for the question that is being presented above is this one: "A. As I look back now on my life, I realize quite clearly that of all the members of my family, subsequent to my mother's death, the only one who truly understood me, or, better yet, sympathized with my intellectual and artistic point of view, was, strange as it may seem, this same Paul, my dearest brother."
Explanation:
Based on the given excerpts above from Theodore Dreiser’s “My Brother Paul”, the one that reflects Dreiser’s want for acceptance is possibility A. As I remember currently on my life, I understand quite clearly that of all the members of my family, succeeding my mother's death, the sole one who actually understood me, or, better yet, sympathized with my intellectual and creative purpose of read, was, strange because it could appear, this same Paul, my beloved brother.
Answer:
"What we call a triangle was really as round as the globe."
Explanation:
This is the quote that best supports the author's claim and purpose. The author wants us to know that the Triangle Trade was not really a triangle. Instead, it was a complex net of connections that spanned the whole world. During this century, almost every region of the world was engaged in trade in some way or another, including the Philippines, Latin America, India, France, England, the Netherlands, Spain, North America and Africa. Therefore, this trade was not triangular, but instead was as round as the globe.
Answer:
Pygmalion derives its name from the famous story in Ovid's Metamorphoses, in which Pygmalion, disgusted by the loose and shameful lives of the women of his era, decides to live alone and unmarried. With wondrous art, he creates a beautiful statue more perfect than any living woman. The more he looks upon her, the more deeply he falls in love with her, until he wishes that she were more than a statue. This statue is Galatea. Lovesick, Pygmalion goes to the temple of the goddess Venus and prays that she give him a lover like his statue; Venus is touched by his love and brings Galatea to life. When Pygmalion returns from Venus' temple and kisses his statue, he is delighted to find that she is warm and soft to the touch--"The maiden felt the kisses, blushed and, lifting her timid eyes up to the light, saw the sky and her lover at the same time" (Frank Justus Miller, trans.).
Pygmalion In Modern Stories And Literature. Pygmalion was a sculptor who falls in love with an ivory statue he had carved. The most famous story about him is the narrative poem Metamorphoses by Ovid. ... He kissed it again, and found that the ivory had lost its hardness.
Modern treatments of the Pygmalion myth sometimes explore Pygmalion’s side of things; others, the perspective of his lady (named Galatea much later by Jean-Jaques Rousseau). Irrespective of the point of view, Pygmalion stories always focus on the idea of making someone into someone else. Sometimes this metamorphosis (or attempted metamorphosis) is played for comedy, sometimes for drama, or straight-up horror. Whatever any particular case may be, there’s something undeniably and enduringly fascinating about the central idea; given the volume of Pygmalion retellings out there,
