Answer:
The publishing houses rejected his poems and stories.
Explanation:
Walter Dean Myers shared the story of his life and his effort to see that young people succeed in the face of hard times in an interview with BBC news on 5/6/2012.
There he told them he was committed to writing based on the advice that was given to him by one of his high school teachers.
He said in his attempt to get his works published, he sent his poems and stories to publishing houses and they were rejected on countless occasions. His first book to be published is "where does the day go?" after several failed attempts.
Answer: The motif addressed in both forms of poetry is nature.
Explanation: A Motif is a symbolism that is repeated throughout the poem in different forms. The poem "Wine of the Fairies" by Percy Bysshe Shelley, and the majority of the haikus (Japanese poems) by Buson, use the motifs of nature and fantasy, mentioning fairies, flowers, seasons, and more. We can see this in the haiku "Natsukawa wo/ Kosu ureshisa yo/ Te ni zori", by Buson, where we can see verses such as:
The summer river.
It’s happy to walk across it.
My hands with zori sandal.
Likewise, in "Wine of the Fairies" Shelley describes his love for these elements when being drunk in the lines: "Which fairies catch in hyacinth bowls." "And when ’tis spilt on the summer earth", "Of the fairies bear those bowls so new!"
When we say narrative structure, this means that it is narrating something that happened in a sequence of events. Therefore, the answer for this would be option D. The way in which James Baldwin used a narrative structure is in <span>the essay that tells a story about the narrators relationship with his father. Hope this answer helps.
</span>
In the Michio Kaku's book, Visions, he states that we are continuing to rush ahead. To prove that, he says “In the past decade more scientific knowledge has been created than in all of human history.” Since we are so advance, we don't need to be observers "of the dance of Nature". We have moved “from being passive observers of Nature to being active choreographers of Nature.” We are no longer discovering, now we are creating. Conserning future predictions Kaku says to listen to "those who create it".
