<span> The sentence which stands as an example of an inciting incident in American Born Chinese is: B. The guard won't let the Monkey King into the party because he is a monkey.An inciting incident is a definite point, an event of a plot which leads to a particular conflict and makes an emphasis on it. The moment of 'monkey discrimination' is the most effective plotline that moves the story forward while keeping the reader engaged, so the answer is B.<span>
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The passive voice formed by Subject + verb to be+Past Participle. The object in the active voice becomes the subject of the passive voice and the subject of the active voice is either the object in the passive voice or is not mentioned.
The passive voice is used when we don't know the performer of the action. Example: “The house was built in 1884” in this case we don't know who built the house.
The passive voice is used when the focus is on the receiver of the action. Example: “Five people were killed in a car accident”, in this case the focus is on “five people”
The passive voice is used when the focus is on the action. Example: “The car was stolen”, in this case the emphasis is on the fact that the car was stolen and not on who stole it.
So the three options that apply to the uses of the passive voice are:
when the performer of the action is unknown
when you want to emphasize the action directly
when you want to emphasize the receiver of the action
A rose was given to her by me.
Answer:
To reduce risk of physical contaminants
Explanation:
Answer:
According to the poem, the outdoors frees us from titles, status and social divisions.
Explanation:
Whitman's poem celebrates the ability of the outdoors to equalize people. This is because when men are outdoors, there is no division of classes based on social and economic influence and status. This is because for nature and the road all men are equal, everyone has the same value and relevance, perhaps that is why heroic acts are more performed outdoors, because in this environment, any man is capable of being a hero.
