Answer:
Enjambed line.
Explanation:
In poetry, an enjambment is a literary device in which there is a disproportion between the syntax and the metric of a verse.
It can easily be recognized as the idea is not fully expressed by the end of a verse. An enjambment breaks the thought in two and it must be continued through the following line.
This literary device was frowned upon by the classics but was kindly welcomed by the romantics due to its strong <em>expressiveness</em>.
The first in the outline after the title in a report is A) An executive summary
An executive summary is a short and concise version of the full report so that readers can become familiar with the information provides in the full material in general aspects without having o real all of it.
The other points are included in the report but in further parts of it
Answer:
The correct answers are the following
1. B - [S]ince my photograph was as widely distributed as my publisher could make it, I would find it impossible to move about without being recognized.
2. A - I took one companion on my journey - an old French gentleman poodle known as Charley.
3. D - To enterain people with the unusual sights.
Explanation:
One of the problems noted by John Steinbeck during his roadtrip was precisely that his fame made it almost impossible to move about and to know America at a personal level because he was widely recognized.
Steinbeck travelled with Charley, his wife's 10-year-old French poodle, which he decided to bring with him at the last minute.
In this travelogue, Steinbeck provides descriptions of gorgeous landscapes of America, the country he devoted to know on a personal level. The use of these descriptive elements presents the reader with an unusual sight that keeps him or her engaged with the book.
Can you elaborate on your question. What poem are we talking about?
Douglass was separated from his Harriet Bailey, his mother, soon after he was born as he tells us through his writings.
- ¨Never having enjoyed, to any considerable extent, her soothing presence, her tender and watchful care, I received the tidings of [my mother’s] death with much the same emotions I should have probably felt at the death of a stranger¨
In Chapter I of the Narrative, Douglass explains that his master separates him from his mother soon after his birth. This separation ensured that Douglass did not develop a family bond toward his mother. Douglass talks about how a slave is “shaped,” beginning at birth. He explains the ways by which slave owners alter social bonds and the natural processes of life in order to transform men into slaves. This process begins at birth. Slave traders first remove a child from his family, and Douglass shows how this destroys the child’s support and sense of a personal history.
In this quotation, Douglass uses adjectives like “soothing” and “tender” to re-create the childhood he would have known if his mother had been present. Douglass often recreates this assertion in his narrative in order to contrast normal stages of childhood development with the quality of development that he knew as a child.
His focus on the family structure and the awful moment of his mother’s death is typical of the conventions of nineteenth-century sentimental narratives. The destruction of family structure would have saddened readers and appeared to be a signal of the larger moral illnesses of the culture. Douglass, like many nineteenth-century authors, shows how social injustice can be expressed through the breakdown of a family structure. Douglass became deeply engaged with the abolitionist movement as both a writer and an orator.
