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dybincka [34]
2 years ago
5

in line 64,the speaker refers to “beaten silver paths.” To what does this image refer, and how is it connected to the silver bla

des and crosses in lines 45-46?
English
1 answer:
Anestetic [448]2 years ago
7 0

in Joy Harjo's "New Orleans", the line "beaten silver paths" refers to the streets of such city. She remembers of certain Spanish conqueror, De Soto,who came to this lands searching for, and constantly states that he wouldn't find it here. Maybe is a mock to that fact.

The "silver blades and crosses" refers to the sword and crucifix of the conqueror, who drawn in the Mississippi river which dreamt of those items. Maybe this means that the streets of New Orleans were made of the things and dreams of the many conquerors who came to that land in search for gold and failed.

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Answer:

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Explanation:

This answer choice is best fitting with what is going on in sentences 4 and 5.  

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Answer:

“point out the way” to “higher eminences of thought.”

inject “genius, mental vigour, and moral courage” into a conforming public.

Explanation:

These are the two reasons why John Stuart Mill believes that exceptional individuals can be valuable to a culture. Mill was a defendant of freedom of speech, as he believed this was the only way in which new ideas can arise and spread in a society. Moreover, Mill believed that individuals who were exceptional would spread these new ideas and therefore, inject society with mental strength, genius and moral courage, all of which would lead the society to a higher level of thought.

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<u>Paragraph I.</u>

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<u>In order to reunite with nature, a person needs to withdraw and look at it with fresh and pure eyes, without all the bias that civilization has imposed on us.</u>

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In our lives, we are too often immersed in trivial worldly affairs, so much so that we take nature and its beauty for granted. Stars, for example, are so magnificent that they are worthy of adoration. But we often fail to see their magnificence just because we see them every night.

<u>Paragraph II.</u>

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<u>Nature's beauty and perfection are inexhaustible even for the wisest of people.</u>

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We can try to grasp nature's wonders all we want - they will never expire or cease to exist, nor will they become incomprehensible. On the contrary, nature will always reflect both "the wisdom of [a man's] best hour" and "the simplicity of his childhood".

<u>Paragraph III.</u>

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<u>A man can own fields or farms or woods, but he can never own nature itself.</u>

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<u>Paragraph IV.</u>

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<u>Nature is comprehensive and inclusive of all of our feelings.</u>

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In nature, a man can reestablish contact with his youth and childhood, but also with his own universal nature. Only there can he finally understand how pointless his egotism is, how unimportant all his worldly concerns and cares.

<u>Paragraph V.</u>

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<u>In their essence, man and nature are connected with an unbreakable bond.</u>

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Even if physically alone, a man can never be truly alone in nature. That is because every element of nature (for example, a bough) reflects his inner, spiritual processes. A storm may take a man by surprise, but it is not unknown or unfamiliar to him.

<u>Paragraph VI.</u>

Answer:

<u>Human spirit and emotions are a result of harmony between man and nature.</u>  

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We can "read" the same landscape differently, according to our current emotions. For example, a scene that yesterday seemed delightful can today appear as melancholic. "Nature always wears the colors of the spirit," says Emerson in this paragraph. It means that nature is susceptible to our imagination, which in turn means that man and nature are equal, and equally important.

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