Answer:
To fully understand the subject and content of the art, one should look into the complex background of the piece – who is the artists, in what time and place was the art produced, what was the inspiration, what is the movement it belongs to, etc. Therefore, understanding of the art piece is problematic in the sense that it is complex and can’t be reduced to only the one artwork itself. One who accesses the art needs to always have the full information about its circumstances of making.
Explanation:
<u>The problem of understanding art and its purpose lies in the fact that</u><u> art is often complex</u><u> and to understand it </u><u>we must have a piece of background information about the artist, the time he belonged in, and the theme of the piece.</u>
<u>We need to read every art piece in the context of its own time and movement</u>. Understanding the theme of the impressionist piece is not the same as understanding the one on the cubist work. For example, we have to know that to look into impressionistic painting we have to move away, observe the movements of light and brush, as this was the main focus of the artists of the time. Additionally, impressionism has often portrayed everyday scenes, nature, and the simple life of people. Cubist work, however, is better-observed piece by piece – it is composed of various perspectives of the same subjects, but reduced to geometrical shapes and constructs. Cubism was also more dedicated to portraying modern life and was more likely to give commentary on it (e.g. Guernica by Picasso).
Art is also rather dependents on its <u>technique </u>– we do not analyze oil paintings the same way we do drawings. All techniques have their ideas and benefits, they all try to convey different atmosphere and idea.
<u>The artist himself or herself plays a major role in the piece itself,</u> and often understanding of the subject includes looking into the background of the artist’s life. We should see where they got their information, who they were emotionally, and how they conveyed their life into the art.
Answer:
Hi I did realize that some people are having trouble with this question so here is something you can use for your answer towards the question.
Word of advice if you wanna use this it would be best to reword some things. I did write this but reword some things so teachers won't assume/say it's plagiarism.
The art category for this image is cave art. This art was back in the stone age when men where doing drawings of the animals they saw. The french archaeologist Henri Breuil did this drawing in 1915 to show the environment and the life of art for men of the stone age. This drawing was published by the American paleontologist Henry Fairfield Osbom.
Hope this helps.
Scientists and mathematicians struggle to find an explanation to the commonly seen proportion known as the "golden ratio". It has been seen a lot through out history, from ancient architecture like the Parthenon made by the greeks, to the measurements in pinecones or sea shells.
Answer 1) Plato - Ancient Greek who wrote his Symposium on the philosophy of art
Explanation : Plato was an ancient Greek who was also a philosopher in Classical Greece and the founder of the Academy in Athens, the first institution of higher learning in the Western world. He wrote the a symposium on philosophy of art.
Answer 2) Denis Diderot - First person to critique using a philosophical approach
Explanation : Denis Diderot was a French philosopher,who was also an art critic, a writer, and was best known for serving as co-founder, chief editor, and contributor to the Encyclopédie along with Jean le Rond d'Alembert.
He was a prominent figure during the Enlightenment. He used his philosophical approach to critic the art.
Answer 3) Roger Fry - English artist and art critic who coined the term Post-Impressionism
Explanation : Roger Fry was an English painter and also an art critic. He was also a member of the Bloomsbury Group. He was the English artist who coined the term Post-Impressionism.
Answer 4) Clement Greenberg - American art critic and collector who endorsed Abstract Expressionism
Explanation : Clement Greenberg, was an occasionally writer under the pseudonym of K. Hardesh, who was an American essayist known for mainly his influential visual art critic. He was closely associated with American Modern art in the mid-20th century. He was the one who declared Abstract Expressionism.
