The Poet uses litotes as a literary technique in the sentence That [sword] was not useless to the warrior now from Beowulf.
Litotes is a technique that communicates in a positive message through a negative structure, we can see in the sentence the use of was not, but the general meaning is a positive one saying that the sword was in fact really useful.
The other options are not correct because those techniques make reference to sounds and metrics or use of a combination of words no the general meaning of a sentence.
Answer:
B. War can cause daily life to change in a moment's notice without warning.
Explanation:
In this excerpt, we see the town of Hadjin living in peace and undisturbed by the war in Turkey. Men could meet in coffee houses to drink and play games.
But things change when a soldier on horseback visited to nail the notice on the wall of the bakery. Everything changed at this moment. The normal life in Hadjin was interrupted by the ensuing war coming to Hadjin.
In "My Mother's Voice: The Proclamation" , the author Kay Mouradian brings her mother's voice and experiences to life. Her mother, Flora Minishian and family who lived in Hadjin, Turkey were displaced and forced out of their homes alongside other Armenians. At this time, Flora was 14 years old and was attending an American school in Hadjin. Her father stow her and her sister in Aleppo and they hid there during the World War I. But Flora never saw her parents and brothers again after the war.
Answer:
"I took my charming little Capri maiden . . . on my arm."
Explanation:
Henrik Ibsen's play "A Doll's House" is a realism play that revolves around the themes of societal restrictions on women. It also particularly confines its plot around the disintegration of the domestic life of the Helmers.
Nora is the wife of Torvald Helmer who, due to the society's "norms" was living a life of pretense, and her real being suppressed. Her husband Torvald, on the other hand, did nothing to help rather furthur adding to this form of restriction. He loves to call her names, always with a 'possessive' nature such as "<em>my, mine</em>" etc along with the name. One such instant of society's 'norms' of placing limits in a woman's role is seen in Act III where Mr. Helmer told Mrs. Linde of how Nora had ruled the dance floor with her charming and exquisite dancing but had to refuse her to dance longer for fear of her "<em>spoil[ing] the effect</em>". He then addressed his wife as "<em>my charming little Capri maiden, --my capricious little Capri maiden, I should say--on my arm". </em>
