Mr Rauschenbusch proposed what was called the social gospel and he imposed the responsability of Christians to be good toward others. After stating that we live in a immoral economic system, he said: "<span>To create just and brotherly relations between great groups and classes of society; and thus to lay a social foundation on which modern men individually can live and work in a fashion that will not outrage all the better elements in them</span>"
<span>Like the pyramid of Giza, west africans and Blacks in the African continent were so obsessed with any form of identity from sculpture, drawings, images that each community actually branded persons to, among other reasons, identity with that community. My university, one of the best in my country still has a sculpture of the YORUBA God, Ododuwa, just before you get into campus even admits the vast infiltration of christianity and Islam. I could go on and on and on. Initially, all African art objects were viewed as ethnographic specimens like drawn images of famous men and men but as time progresses people just weren't satisfied so they contrived any kind of identification because they had wars, inter-community strife, and more. The importance of artifacts to the black community until the late 20 century can not be overemphasized. It was a kind of lifeblood because everyone wants to, and had to identify with something because of the prevailing conditions then.</span>
<span>In the comparisons made by Voltaire, he demonstrates his interest in English society, his way of life that he considered much more advanced than the French one. For him, a reform of society, freedom, and well-being of the French people was necessary. Voltaire showed admiration for English society, based on a parliamentary system very different from the prevailing absolutism in France at the time.</span>
