The lines are spoken by <u>Friar Lawrence</u> to <u>Capulet</u>, and it refers to the heaven being bothered to <u>Capulet</u> by some past sin he committed. At the same time, <u>Friar Lawrence</u> mentions that <u>Capulet </u>should stop trying to go against heaven and stop challenging it and questioning the reasons why the wedding became a funeral.
Answer: The authors provide a primary-source quotation from a British abolitionist named William Wilberforce.
Explanation: It takes some careful reading of the article to match the content of the article with the descriptions in the answer options.
The first option is misleading. The passage mentions "the new bill that would limit British involvement in the slave trade" but there is no detail.
The second option is also misleading. The passage mentions "economic force" but there is no detail.
The fourth option is misleading. The passage mentions "Bristol, a port city with a harbor filled with slave ships" but there is no summary of that article.
The path to the right answer is paying attention to the point of the question: "to support the claim that many people joined the antislavery movement for moral reasons"
The correct answer refers to the sentence " William Wilberforce, another leader of the abolitionist cause, felt the new mood in his country. "God can turn the hearts of men," he marveled." Infer that moral reasons are tied to the notion that God can change hearts.
They must allow Hitler to believe he has defeated them, and then attack.
They had to reform the Red Army and the Russian air force.
They used camouflage, surprise and misinformation to keep the German army in the dark about their intentions. The retreated Soviets were ordered by Stalin to leave nothing the Germans could use, this was called a scorched-earth policy.
Answer:
The correct answer is the option D: <em>both B and C </em>
Explanation:
On one hand, <em>Eugene O'Neill</em> was an american playwright whose plays were among the first ones who introduce the techniques of realism into the U.S. drama during the early twentieth century.
On the other hand, <em>Tennessee Williams</em> was also an american playwright who alongside with O'Neill were the foremost contemporary playwrighters of the twentieth century American drama.
Their famous work where there are examples of the use of thoughts and feelings to the style of the drama are the <em>''Long Day's Journey into Night''</em> by O'Neill and<em> ''A Streetcar Named Desire''</em> by Williams.