Dexter emphasizes the use of the word pretty during the final dialogue of Scott Fitzgerald's Winter Dream. This is because it is aggressive the insinuation of his interlocutor that the beauty of Judy is not such, since that beauty was the engine that drove his dreams of youth. The news of Judy's situation impacts him because he realizes that he can not go back in time and that in his current world there is nothing that could interest him or cause him the emotion he felt for Judy at the time.
<span>make a thesis statement about early american literature. the thesis statement should include all of those things.</span>
Prepositions show location, direction and time. They are words that are being used to link phrases, nouns and pronouns in a sentence. They are placed before the phrase that is to be linked. Examples are at, to, in, on, from and the like.
The Thornfield section is a kind of a trial for Jane, spiritual as much as carnal and sexual. Up until that point, she had never fallen in love. It happens to her now, but this love is not just another romantic love story. Her beloved is almost a ruffian, with violent fits and eccentric character - not at all handsome, but extremely passionate and therefore very sexual. Nevertheless, Jane senses a spiritual attachment to him, as her soulmate, which makes this relationship worth all the effort in her eyes.
On the other hand, Bronte juxtaposes the shiny, brilliant word of aristocratic, sensual bodies to the gloomy and stark spirituality of Jane Eyre. First of all, there is Rochester's story about his former mistress, Adele's mother, who was a beautiful, adulterous seductress. On the other hand, there is Rochester's noble company that he brings to Thornfield, particularly Blanche Ingram, who is also beautiful and apparently a very desirable match. She is Jane's absolute counterpart, and that is precisely why Rochester eventually casts her away to propose to Jane.
Here is how Jane sees her spiritual attachment to Rochester, observing him in the company of his noble friends:
"<span>He is not to them what he is to me," I thought: "he is not of their kind. I believe he is of mine;—I am sure he is,—I feel akin to him,—I understand the language of his countenance and movements: though rank and wealth sever us widely, I have something in my brain and heart, in my blood and nerves, that assimilates me mentally to him. […] I must, then, repeat continually that we are for ever sundered:—and yet, while I breathe and think I must love him."</span>
