Answer:
But here and there a few cars groaning creep
Along, above, and underneath the street
Explanation:
The poem <em>Dawn in New York</em> by Claude Mckay is a short poem with just 14 lines. This narrative poem talks about sunrise in New York city one morning, with the use of descriptive words to paint a picture of the event for the readers.
The lines that suggest that the morning commute is starting to begin can be from the 7th and 8th lines of the poem.<em> "But here and there a few cars groaning creep Along, above, and underneath the street"</em>, showing the first sign of movement of the people.
Answer:
Neto's conflict about playing football for racist fans is developed through
complications. First, he encourages all of the players to quit the team, but most of
the players decide to keep playing. Then, the school officials refuse to help. These
events reach a climax when Allison reads a letter against racism at the next football
game. The resolution is that the fans change their behavior. Now, Neto knows that
some things are more important than football and that he can make a difference in his
community.
In Lord of the Flies, Golding deliberately develops the boys' descent into savagery slowly, as to reveal the dangerous and seductive nature of giving over to base urges and animalistic desires. The boys arrive on the island as proper English school boys, complete in their privage school uniforms and choir togs, but even during their first day on the island, the reader can see how the environment of the island challenges the boys' former preconceptions of proper social behavior. For example, the oppressive heat immediately has the boys stripping out of their school clothes to be more comfortable; in normal society, running around naked would be strictly taboo, but on the island, of course, the boys begin to accept their nudity as a practical matter.
The boys' shedding their clothes is the first major indicator of their transformation into savages, but perhaps the most shocking example of true savagery occurs in Chapter Eight, "Gift for the Darkness," as the hunters ruthlessly and violently hunt and kill the sow. Hunting in itself is not an indicator of true savagery, but the boys' violent actions, exultation, and sheer enjoyment of the brutality during the act suggests that they have completely transformed into violent savages. The boys feel an inherent thrill as they stalk their victim during the hunt and work themselves practically into a frenzy as they jab their spears at the sow. Roger, particularly, derives enjoyment from the sows' shrill squeal as he drives his spear in further. The shocking blood-lust demonstrated by Jack, Roger, and the other hunters not only reveals their true savage natures, but also foreshadows future scenes of death, such as Simon's tragic end
the correct aswer is D) to convince the reader that Huck’s father has the ability to be funny
The correct option is A.
From the passage given above, it can be seen that the brothers were opposites right from their mother's womb. One is left handed while the second one is right handed, this probably make them to see matters from different angles. Thus, it is inevitable that the brother will always be in conflict.
