11- days, night = compound subject
12- plays, sings = compound predicates
13- Mary and Bill = compound subjects //bought furnished = compound predicate
14- Chairs, tables rugs = compound subjects //were chosen and furnished = compound predicate
15- begin and end = compound predicate
16_ John and Elaine = compound subjject
a compound predicate has to tell us two things at least with the same subject
a compound subject is two or more subjects
hope I didn't make any mistakes
The correct answer is
<span>the
first option. In the excerpt from the article "Vision, Voice and the Power
of Creation: An Author Speaks Out," by T. A. Barron says that the spirit
(anima) can be found in the voice of a character. It is explicitly states in
lines: “The ancients [people from ancient history] used anima, in fact, to
describe breath as well as soul. That is wholly appropriate, for in the breath—the
voice—of a character lies its essential spirit.”</span>
Answer:
I also agree with this statement because the only thing Frida Kahlo had was art. As you know, she suffered a trolley-car accident and art was her only salvation. So, we could say that painting helped Frida to express her feelings and overcome the hardest moments in her life.
Explanation:
Frida Kahlo (1907-1954) was the most famous Mexican painter, thanks to her portraits, self-portraits, and paintings inspired by Mexican nature, history, and society.
She was attending medical school until a traffic accident, which made her partially disabled and caused her a lot of physical pain and health problems.
The painting was her only distraction from her health and private problems, which was also was confirmed with her numerous quotes about art, as:
“Painting completed my life”, “The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration”, etc.
Carl Sandburg's "Grass" is a three-stanza ballad in free verse with straightforward words communicating a significant message. Free verse disregards standard tenets of meter for the rhythms of customary discussion. Basically, free verse frees verse from adjustment to inflexible metrical tenets that manage push designs and the quantity of syllables per line.
