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lorasvet [3.4K]
2 years ago
12

How does the structure of "Gumption" differ from that of "To Build a Fire"?

English
1 answer:
QveST [7]2 years ago
8 0
A. The structure of "Gumption" is compare and contrast, while the structure of "To Build a Fire" is problem and solution.<span>
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(n) a0 is used to measure how trustworthy someone or something is, such as when analyzing a narrative mode.
stealth61 [152]

Credibility is used to measure how trustworthy someone or something is, such as when analyzing a narrative mode.

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In line 14 of "The Indian Burying Ground," Freneau mentions "arrows, with a head of bone" that are buried with the deceased. The
inysia [295]

An Indian arrow head or “head of stone”, symbolizes the opposite of a headstone namely, the enduring vitality of the dead person’s spirit unlike the cold, engraved memorial for a dead white man. The indians bury them in a sitting position; they think that the dead are with life, in their own world. The Christians, at contrary, buries their dead in an horizontal possiton, like they were resting for the ethernity. The posture we keep to our dead determines how we look at life after death. Death is not end but it is a release for life is seen as bondage. American Indians believe in life as lasting or existing forever it is an ad infinitum process. Christians don't, we believe in Heaven and Hell, and our actions or sins will determinate our destiny when we die.The Indian concept of life after death is quite different from Christian concept that believes in an annual of earthly activities after death.

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2 years ago
Based on the examples she provides the reader knows spending time away from things makes Morris feel
Airida [17]

From "The Tyranny of Things" by Elizabeth Morris

Once upon a time, when I was very tired, I chanced to go away to a little house by the sea. "It is empty," they said, "but you can easily furnish it." Empty! Yes, thank Heaven! Furnish it? Heaven forbid! Its floors were bare, its walls were bare, its tables there were only two in the house were bare. There was nothing in the closets but books; nothing in the bureau drawers but the smell of clean, fresh wood; nothing in the kitchen but an oil stove, and a few a very few dishes; nothing in the attic but rafters and sunshine, and a view of the sea. After I had been there an hour there descended upon me a great peace, a sense of freedom, of in finite leisure. In the twilight I sat before the flickering embers of the open fire, and looked out through the open door to the sea, and asked myself, "Why?" Then the answer came: I was emancipated from things. There was nothing in the house to demand care, to claim attention, to cumber my consciousness with its insistent, unchanging companionship. There was nothing but a shelter, and outside, the fields and marshes, the shore and the sea. These did not have to be taken down and put up and arranged and dusted and cared for. They were not things at all, they were powers, presences.

And so I rested. While the spell was still unbroken, I came away. For broken it would have been, I know, had I not fled first. Even in this refuge the enemy would have pursued me, found me out, encompassed me.

If we could but free ourselves once for all, how simple life might become! One of my friends, who, with six young children and only one servant, keeps a spotless house and a soul serene, told me once how she did it. "My dear, once a month I give away every single thing in the house that we do not imperatively need. It sounds wasteful, but I don't believe it really is. Sometimes Jeremiah mourns over missing old clothes, or back numbers of the magazines, but I tell him if he doesn't want to be mated to a gibbering maniac he will let me do as I like."

The old monks knew all this very well. One wonders sometimes how they got their power; but go up to Fiesole, and sit a while in one of those little, bare, white-walled cells, and you will begin to understand. If there were any spiritual force in one, it would have to come out there.

I have not their courage, and I win no such freedom. I allow myself to be overwhelmed by the invading host of things, making fitful resistance, but without any real steadiness of purpose. Yet never do I wholly give up the struggle, and in my heart I cherish an ideal, remotely typified by that empty little house beside the sea.

Based on the examples she provides, the reader knows spending time away from things makes Morris feel

worried

lonely

understood

inspired

Answer:

From the examples provided, the reader knows that spending time away from things makes Morris feel <u>inspired.</u>

Explanation:

From the excerpt above, Morris describes how she feels at peace and what freedom could bring to her. Because of these, she felt free because nothing further required her attention so she was finally able to rest.

Morris goes ahead to compare her situation to that of her friends and the old monks. As she reflects and contemplates, she feels inspired and makes the conscious decision that she would keep on striving to reach the ideals of the white empty house by the beach.

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2 years ago
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Tennyson believes that this wish (of the first two lines of Lyric 55 "In Memoriam" ) is derived from _____.
Vlada [557]

Answer:

C. man

Explanation:

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How does the author characterize Theseus in the story? Cite evidence from the text in your response
PolarNik [594]

The author portrays Theseus as a flawed human being. In early adventures, Theseus proved that he was a 'hero' but it wasn't until he slew the minotaur he became a legend, the living embodiment of braveness. However the author also made sure to mention that he deserted Princess Ariadne and even killed her father without much thought in order to allow the reader to understand that this so called hero although brave is far from perfect.

Hope this helps!

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