<em>The right answer is letter C - </em><em>that the speaker is able to see and feel her faith in eveything that surrounds her.</em>
<em>In this poem the poet explains why she stays at home during sabbath instead of going to church. She describes how the choir is replaced by a bobolink and a sexton, and that she doesn't need to go anywhere in particular as the "orchard" outside can be likened to church "dome". </em><em>Emily feels her faith is not bound to any place but rather it can be found in everything around her.</em>
Answer:
The King his father keeps him company during his trying period.
Explanation:
The story is culled from Rustem and Sohrab, The Epic of Kings by Ferdowsi.
Rustem's horse is stolen from him whilst he slept.
This greatly unsettled him. He went to his father the King of who kept him company until Rakush was found. In between finding Rakush his war steed, he meets and married Tahmineh the daughter of King Samendan.
Cheers!
Literature and the Holocaust have a complicated relationship. This isn't to say, of course, that the pairing isn't a fruitful one—the Holocaust has influenced, if not defined, nearly every Jewish writer since, from Saul Bellow to Jonathan Safran Foer, and many non-Jews besides, like W.G. Sebald and Jorge Semprun. Still, literature qua art—innately concerned with representation and appropriation—seemingly stands opposed to the immutability of the Holocaust and our oversized obligations to its memory. Good literature makes artistic demands, flexes and contorts narratives, resists limpid morality, compromises reality's details. Regarding the Holocaust, this seems unconscionable, even blasphemous. The horrors of Auschwitz and Buchenwald need no artistic amplification.
This is basically telling you to read the passage and filling the blanks with words you see in the passage hope this helps
