Because he is telling you what he himself is actually seeing
If the options are:
A. Viewers would have to infer the emotions and motivations of Ben and Regina.
B. Viewers would have to envision the physical descriptions of Ben and Regina.
C. Viewers would have to imagine the few props being used by Ben and Regina.
<span>D. Viewers would have to visualize the actions and movements of Ben and Regina.
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Then the right answer is A. In stage and film adaptations, there is no need for the viewers to envision physical descriptions, imagine props, or visualize actions and movements. They can already see all of that, as the directors have already taken care of it. We only have to visualize all these things when we read the play. However, inferring the inner enigmas of characters' motivations is still up to us.
<span>Crevecoeur contradicts his own observation about America's diversity and equality by giving an unflattering portrayal of German-American settlers (option A) and by giving descriptions of abject poverty and the wide gap between rich and poor (option D). But he tends to predict that society might triumph over barbarism and settlers would embrace civilization "making room for more industrious people".</span>
Bach's brilliant musical style and structure have been appreciated for centuries
I believe that the options that best describe the qualities of the tragic heroine in these two passages are:
- They both show the main character sacrificing her life for her principles.
- They both show the main character experiencing a downfall and awaiting death.
- They both show moments in the main characters' experiences that evoke pity.
The tragic heroine trope portrays a female protagonist who ends up suffering terribly due to a fatal flaw in her character.
