I think there are two ptions that show internal conflict:
1) He considers whether or not to trust the inmate who tells him he´s not fifteen.
In this case he doesn't know the inmmate and doesn't know the exact reason hes telling him to lie. One reason is because he wants to help him, that information would save his life from the SS. The other option is that the inmmate is selfish and by telling him to lie, the kid will be punished instead of him. The kid must decide then if he trusts him or not.
2) He must decide whether or not to tell Dr. Mengele the truth about his age.
In this case he has even more doubts, he knows Mengeles reputation and he doesn't know how much information does he have and how will it affect him. If he lies he might know it and punish him or that lie could save him.
The conflict is real because his life could depend on the decissions he makes.
Answer:
It is illegal for rental security deposits in california to be labelled as “nonrefundable,” under any circumstances.
Explanation:
It is well known that in the United States every state rules in a different way, in this case California has rules about security deposits that have as objective to protect the landlords as well as the tenants, these rules include things that should be taken into account, such as the amount the landlords can charge or the deductions that can take place. However, about landlords making security deposits nonrefundable this is something that is considered illegal
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Answer:
He uses his sense of humor to make others feel comfortable.
Explanation:
I read the diary of anne frank and it seems the most viable to me.
Answer: To lengthen the amount of time you spend on a paper.
Explanation:
The goal of an outline is to help you create the framework of your paper, not to make your life more difficult. An outline helps you to organize your thoughts, figure out the main and most relevant points of your argument, and all-around set you up for success. The goal of an outline is not to increase the amount of time you spend on a paper, although it can sometimes be a result. All in all, an outline is to set you up for success.
Literature and the Holocaust have a complicated relationship. This isn't to say, of course, that the pairing isn't a fruitful one—the Holocaust has influenced, if not defined, nearly every Jewish writer since, from Saul Bellow to Jonathan Safran Foer, and many non-Jews besides, like W.G. Sebald and Jorge Semprun. Still, literature qua art—innately concerned with representation and appropriation—seemingly stands opposed to the immutability of the Holocaust and our oversized obligations to its memory. Good literature makes artistic demands, flexes and contorts narratives, resists limpid morality, compromises reality's details. Regarding the Holocaust, this seems unconscionable, even blasphemous. The horrors of Auschwitz and Buchenwald need no artistic amplification.
