Answer:
The Adventures of Huckleberry Finn was one of the first novels written in "American English" particularly the ones spoken by the narrator and main protagonist of the story. The "Pike County Dialect" and its variations, is the language in which Huck and most of the important characters to the plot, (like his father, like Tom and Jim, Aunt Polly, Judith Loftus) expressed themself. The function of this dialect is to give us the reality of a marginalized and impoverished entity that is palpable throughout the entire book, the author gives this dialect a leading role that is seeks to give us that realism necessary to understand the concept, that happen along to the Mississippi River, and brings us closer to details of southern society, such as racism and the superstition of the slaves in that time, Jim is a fugitive slave who flees seeking his freedom, and Huck captured by his evil father, who takes him to live in a hut down river, there Huck remains captive, but manages to escape in a raft they find each other and the two undertake a dangerous journey and live many adventures together.
The answer is: To emphasize the horror of what has happened.
Silent Spring is an environmental book written by Rachel Carson in 1962. She focused her attention on environmental problems specially the ones caused by synthetic pesticides. Carlson wrote the book after researching to make American people aware of the problems they were facing. Even though it had opposition from the chemical companies, it brought about important changes.
Answer:
By Being a Boxer
Explanation:
He used these words Float like a butterfly,sting like a bee.
Answer:
In his essay "The Negro Artist and the Racial Mountain," poet Langston Hughes interprets the statement of a young African-American poet that, "I want to be a poet—not a Negro poet," to mean, "I want to write like a white poet"; this suggests he was really expressing a subconscious desire to be white. Hughes goes on to argue that this apparent aspiration to bourgeois gentility, as embodied by the dominant Caucasian society, and the psychological cost that adherence to its constraints on creative freedom implies, is terribly damaging to the quality of the creative work and to the spiritual integrity of any African American artist who would embrace it. And it only adds insult to injury that not only does white society pressure African American artists to conform to its standards, but his own people often share the same attitude: "Oh, be respectable, write about nice people, show how good we are, . . . "
Explanation:
