Answer:
The correct answer is "This dialogue between George and Hazel portrays George as a static character because he has accepted society’s rules and does not try to challenge them”.
Explanation:
George’s behaviour conforms to the social norms established by the uniform society he lives in. He is used to being monitored by handicaps so the canvas bag does not represent an extra weight for him. As his words show "I don’t notice it any more. It’s just a part of me,” he has naturalized the device as part of his body and as a static character remains the same without undergoing inner changes.
Answer:
Some people are born superstars, really! Michael Phelps, the Olympic swimmer is a perfect example. First of all, his hands and feet are bigger than normal, which helps him move quickly through the water. For the same reason, he can reach his arms higher above his head than can other swimmers. Some people argue, consequently, that because he has natural advantages over other swimmers, it was not fair that he won eight gold medals in 2008.
Explanation:
<span>It means the same thing as "dead as a doornail" completely dead. Dumplings aren't alive so they are "dead". So "dead as a dumpling" means to be completely dead, not alive in the slightest. </span>
Metaphysical poetry in the seventeenth century broke away from conventions of lyrical poetry. The difference is apparent in the choice of cacophonous imagery...
Johnson put five poets in this category: John Donne, Andrew Marvel, George Herbert, Richard Crashaw, and Henry Vaughan. However, they never worked as an organized literary movement. They didn't even read each other. It is only today that we can consider them akin.
As for cacophonous imagery, it was one of their foremost characteristics. The word choices and similes would often be shocking and unusual, not just for their own time but even later. For example, comparing two lovers' souls with two compasses in Donne's A Valediction Forbidding Mourning.