In the article, the author - Neil de Grasse Tyson discusses parapsychology and writes that comparing it with real science is absurd because there is no way to support the sixth sense in humans. He notes that our senses are limited and scientific knowledge is needed to prove the theories. The correct answer is D.
In "Twelfth Night" many things get twisted. For example, Two twins are seperated due to a crashed ship. Viola, one of the twins, is then forced to dress as a man, taking on the name Cesario.
While working at a palace, Viola falls in love with a young duke. Everything seems to be fine, except the young duke is head over heels for a girl named Olivia. However, Olivia is madly in love with Viola, who is pretending to be Cesario.
Viola then has to continue to be Cesario while caught in an awkward love triangle. She struggles having to balance Olivia's advances while she swoons over the duke and acts as his page. She also has to deal with the sorrow of her long lost twin, sebastian.
P.S. This should be a good starter! Hope u like! Havent read that in a year so it may ne off! I deserved more points than that.
Hello, Divine Comedy consists of three books; Inferno, Purgatorio, and Paradiso. In each book, he witnesses levels of Hell, Purgatory, and Heaven to see what the souls of the deceased have in store based on their actions on Earth. With this in mind, this means your answer is A, since Dante travels through the afterlife and witnesses how people are punished and rewarded.
Answer:
CORRECT: At the request of the governor’s office, the economic science lab produced various forecasting models.
CORRECT: When the account manager returns from lunch, we’ll double-check the meeting time.
Explanation:
An introductory phrase is like a clause, but it doesn’t have its own subject and verb; it relies on the subject and verb in the main clause. It sets the stage for the main part of the sentence. When you use an introductory phrase in your writing, you’re signaling to the reader that the central message of the sentence is yet to come.
Introductory clause: After the meeting was over, the staff was exhausted. Introductory phrase: While getting ready for bed, Susan heard a knock at the door.
There are several types of introductory phrases, including prepositional phrases and appositive phrases. Sometimes a comma is necessary after an introductory phrase. Other times, the comma is optional, and there are also times when a comma should not be used.
It is important to note that a comma should always be used if the sentence could be misinterpreted otherwise.
In the figures of the civil watch and the Prince, the brawl introduces the audience to a different aspect of the social world of Verona that exists beyond the Montagues and Capulets. This social world stands in constant contrast to the passions inherent in the Capulets and Montagues. The give-and-take between the demands of the social world and individuals’ private passions is another powerful theme in the play. For example, look at how the servants try to attain their desire while remaining on the right side of the law. Note how careful Samson is to ask, “Is the law on our side, if I say ‘Ay,’” before insulting the Montagues (1.1.42). After the Prince institutes the death penalty for any who disturb the peace again, the stakes for letting private passions overwhelm public sobriety are raised to a new level.
Finally, this first scene also introduces us to Romeo the lover. But that introduction comes with a bit of a shock. In a play called Romeo and Juliet we would expect the forlorn Romeo to be lovesick over Juliet. But instead he is in love with Rosaline. Who is Rosaline? The question lingers through the play. She never appears onstage, but many of Romeo’s friends, unaware that he has fallen in love with and married Juliet, believe he is in love with Rosaline for the entirety of the play. And Friar Lawrence, for one, expresses shock that Romeo’s affections could shift so quickly from Rosaline to Juliet. In this way, Rosaline haunts Romeo and Juliet. One can argue that Rosaline exists in the play only to demonstrate Romeo’s passionate nature, his love of love. For example, in the clichés he spouts about his love for Rosaline: “Feather of lead, bright smoke, cold fire, sick health” (1.1.173). It seems that Romeo’s love for chaste Rosaline stems almost entirely from the reading of bad love poetry. Romeo’s love for Rosaline, then, seems an immature love, more a statement that he is ready to be in love than actual love. An alternative argument holds that Romeo’s love for Rosaline shows him to be desirous of love with anyone who is beautiful and willing to share his feelings, thereby sullying our understanding of Romeo’s love with Juliet. Over the course of the play, the purity and power of Romeo’s love for Juliet seems to outweigh any concerns about the origin of that love, and therefore any concerns about Rosaline, but the question of Rosaline’s role in the play does offer an important point for consideration.
