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ioda
2 years ago
5

To appeal to his audience, in “War Message to Congress,” Wilson mostly relies on pathos, an appeal based on emotions. logos, an

appeal based on logic or reason. ethos, an appeal based on the speaker’s character. force, an appeal based on the audience’s fear of harm.
English
2 answers:
kupik [55]2 years ago
8 0
The right answer for the question that is being asked and shown above is that: "<span> ethos, an appeal based on the speaker’s character." </span>To appeal to his audience, in “War Message to Congress,” Wilson mostly relies <span> ethos, an appeal based on the speaker’s character.</span>
sweet-ann [11.9K]2 years ago
5 0

A) pathos, an appeal based on emotions.

I just took the quiz

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Which structural element is used in the excerpt by Anaya but not in the excerpt by Nye?
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Answer:

Logos

Explanation:

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2 years ago
What impact do the following figures of speech from chunk 6 have on the author’s tone: “All the light out of my eyes,” “dragged
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They give the piece a dreary, melancholy tone.

The imagery of these quotes are very dark and gloomy. They change the author's tone into a more dreary, melancholy tone.

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2 years ago
Who is the speaker of the poem the parrot in the cage? why does he call himself a twice born child​
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Answer:

A)

On superficial structure level the speaker of the poem " The Parrot in the Cage" is parrot himself. On deep structure level, it is the poet himself  or any modern day human being.

B)

The parrot calls himself twice born because he has seen two completely different lives. He was born free, first in the forest, and he was born caged second time.

Explanation:

On deep structure level the poet is talking about himself or any modern day human being who is caged by his social duties to work and earn more and more. Man has to do things which he does not like, to perform even when he/she is tired.

Two different lives of the caged parrot are before and after being caught in the cage. One when he was totally free in the forests, could eat, drink, chatter, fly and do whatever and whenever he liked. The other life started when he was caged and now can not fly, can not drink cool waters from rivers, can not enjoy fresh and delicious fruits hanging on the forest trees.

These two lives of parrot can also be compared with man's life when he was a child and was free, and as an adult he has been caged by social duties and bound to please his master/boss.

Similarly, we can interpret these two lives as the lives of human beings in old times and in modern times. In old times human being were mostly free and did whatever pleased them, but in modern times, human beings have to work too much to earn more and more to please the society. Man is not man anymore, he has become a machine.

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2 years ago
Annie describes her parents as the family eats breakfast for the last time together ( lines 121- 149). what is her tone in the p
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2 years ago
Respond to the following prompt by writing an essay of at least 750 words. According to Camus in “The Myth of Sisyphus,” “…fate.
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Answer:The gods had condemned Sisyphus to ceaselessly rolling a rock to the top of a mountain, whence the stone would fall back of its own weight. They had thought with some reason that there is no more dreadful punishment than futile and hopeless labor.

If one believes Homer, Sisyphus was the wisest and most prudent of mortals. According to another tradition, however, he was disposed to practice the profession of highwayman. I see no contradiction in this. Opinions differ as to the reasons why he became the futile laborer of the underworld. To begin with, he is accused of a certain levity in regard to the gods. He stole their secrets. Aegina, the daughter of Aesopus, was carried off by Jupiter. The father was shocked by that disappearance and complained to Sisyphus. He, who knew of the abduction, offered to tell about it on condition that Aesopus would give water to the citadel of Corinth. To the celestial thunderbolts he preferred the benediction of water. He was punished for this in the underworld. Homer tells us also that Sisyphus had put Death in chains. Pluto could not endure the sight of his deserted, silent empire. He dispatched the god of war, who liberated Death from the hands of the conqueror.

It is said also that Sisyphus, being near to death, rashly wanted to test his wife's love. He ordered her to cast his unburied body into the middle of the public square. Sisyphus woke up in the underworld. And there, annoyed by an obedience so contrary to human love, he obtained from Pluto permission to return to earth in order to chastise his wife. But when he had seen again the face of this world, enjoyed water and sun, warm stones and the sea, he no longer wanted to go back to the infernal darkness. Recalls, signs of anger, warnings were of no avail. Many years more he lived facing the curve of the gulf, the sparkling sea, and the smiles of the earth. A decree of the gods was necessary. Mercury came and seized the impudent man by the collar and, snatching him from his joys, led him forcibly back to the underworld, where his rock was ready for him.

You have already grasped that Sisyphus is the aburd hero. He is,as much through his passions as through his torture. His scorn of the gods, his hatred of death, and his passion for life won him that unspeakable penalty in which the whole being is exerted toward accomplishing nothing. This is the price that must be paid for the passions of this earth. Nothing is told us about Sisyphus in the underworld. Myths are made for the imagination to breathe life into them. As for this myth, one sees merely the whole effort of a body straining to raise the huge stone, to roll it and push it up a slope a hundred times over; one sees the face screwed up, the cheek tight against the stone, the shoulder bracing the clay-covered mass, the foot wedging it, the fresh start with arms outstretched, the wholly human security of two earth-clotted hands. At the very end of his long effort measured by skyless space and time without depth, the purpose is achieved. Then Sisyphus watches the stone rush down in a few moments toward that lower world whence he will have to push it up again toward the summit. He goes back down to the plain. It is during that return, that pause, that Sisyphus interests me. A face that toils so close to stones is already stone itself! I see that man going back down with a heavy yet measured step toward the torment of which he will never know the end. That hour like a breathing-space which returns as surely as his suffering, that is the hour of consciousness. At each of those moments when he leaves the heights and gradually sinks toward the lairs of the gods, he is superior to his fate. He is stronger than his rock.

If this myth is tragic, that is because its hero is conscious. Where would his torture be, indeed, if at every step the hope of succeeding upheld him? The workman of today works every day in his life at the same tasks, and this fate is no less absurd. But it is tragic only at the rare moments when it becomes conscious. Sisyphus, proletarian of the gods, powerless and rebellious, knows the whole extent of his wretched condition: it is what he thinks of during his descent. The lucidity that was to constitute his torture at the same time crowns his victory. There is no fate that cannot be surmounted by scorn.

Explanation:

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2 years ago
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