Choleric should be the answer
From Chaucer's The Canterbury Tales excerpt that contradicts the claim made in the third line that the prioress speaks fluent French is "For French of Paris was not hers to know."
In the General prologue, Chaucer satirizes several characters from various classes and professions. Beginning with the highest class to lower. The first character whom Chaucer introduces is the Prioress who is a nun. She is the first among the female to be described, the first question that evokes in the reader's mind is that such higher religious clergy doesn't take a vow of leading a simple life? Hence, Chaucer satirizes the church, as the members of the church belonged from the upper class. The prioress took advantage from the poor for her own good. She was very well '<em>dainty</em>' and was well-dressed. Being known as <em>"Madame Eglantyne"</em>, she was so pretentious that she hardly knew any words of French.
Yeats states that he was not closely acquainted with the people in the Easter Rising. He acknowledges that he only exchanged pleasantries with them before the uprising. He also indicates that he has personal reasons for disliking one person. So he is writing about the cause for which they stood, which, by inference, is important.
The comparison of the rebels to "stone" suggests that Yeats may have viewed the rebels' attitude as inflexible or not adapted to the changing times. Yeats also acknowledges the possibility that their deaths may have been "needless" because the British might keep their promises.
However, his reference to the "sacrifice" (of all who had supported Irish independence) and the rebels' "excess of love" suggest that he views their cause in a positive light. Moreover, Yeats's repeated description of the kind of change that the uprising has brought about as "a terrible beauty" suggests that his sympathies lie with the rebels.
To summarize, Yeats places a certain distance between the rebels and himself, but he supports the rebels' cause.
Fired and consumed, those both express shakespeare’s use of his plays to express emotion
